Lovesickness is the mental state brought on by the personal experience of unfulfilled, unconsummated, or unrequited love.: "The English language lacked a noun singular for the state of being love smitten, or having fallen in love, until Dorothy Tennov (1979) coined the term, limerence, to fill the void. It is formally defined as follows:
limerence (adjective, limerent) the personal experience of having fallen in love and of being irrationally and fixatedly love stricken or love smitten, irrespective of the degree to which one’s love is requited or unrequited.
[...] Unrequited love is a synonym for unrequited limerence. It leaves a person vulnerable to an attack of lovesickness. Lovesickness may be transitory or prolonged, and major or minor in degree. It may be brought on by a person's anticipatory uncertainty about getting or not getting a reciprocal response to his/her limerence. Lovesickness may be brought on also by unequal proportions of limerence, for example, 100:70 instead of 100:100. The most unequal match is 100:0, total rejection.The formal definition of lovesickness is as follows.
lovesickness the personal experience and manifest expression of agony when the partner with whom one has fallen in love is a total mismatch whose response is indifference, or a partial mismatch whose reciprocity is incomplete, deficient, anomalous, or otherwise unsatisfactory."
Lovesickness is a feature of infatuated love or limerence (being irrationally love stricken or smitten), and included under broad labels of romantic love and passionate love. Erotomania has also been included under the heading of lovesickness.: "Lovesickness may take the form of a bizarre and obsessional fixation known in the clinical sexological literature as Clérambault-Kandinsky syndrome (SKS), and also known as erotomania." A further related term is "obsessive love".
This state of longing for an unavailable beloved is characterized by addictive cravings, depression and intrusive thoughts about a love object. Research on the biology of romantic love indicates that romantic love resembles addiction in the intense early stage (or when unreciprocated), but academics do not currently agree on how love addiction is defined. Lovesickness is not mentioned in modern medical texts, although historically it was considered a medical entity.
Lovesickness is widespread among adolescents: reportedly 33–53% had experienced problems with it, or even as many as 82%, in different studies.
Symptoms
Although lovesickness is no longer recognized as a medical condition, its symptoms nevertheless bear a resemblance to other modern diagnostic entities. According to the clinical psychologist Frank Tallis, lovesickness "still looks like, feels like, and behaves like a mental illness" and "Clearly, a 'clinically significant' amount of distress and general impairment are an almost inevitable consequence of falling in love."
The four "core symptoms" of falling in love according to Tallis are as follows:
preoccupation with the loved one and obsessive thinking, resembling obsessive–compulsive disorder. episodes of melancholy, resembling depression. episodes of rapture, resembling mania and hypomania. mood instability, resembling manic depression (or bipolar disorder).
Other symptoms related by Tallis with less diagnostic overlap are:
physical symptoms resembling panic attacks (pounding heart, trembling, shortness of breath, and feeling lightheaded). excessive worrying, resembling generalized anxiety disorder. appetite disturbance and sensitivity to one's appearance, resembling anorexia nervosa. a feeling that life has become a dream, resembling depersonalization and derealization.
Insomnia is another consistent symptom.: "[...] the standard core features of love sickness—such as paleness, disturbed pulse, insomnia, and loss of appetite." A scientific study found that lovesick adolescents (defined as ages 16 to 21) had lower sleep quality, and lovesickness was related to a higher frequency of nightmares with more daytime effects. According to Tallis, insomnia and restlessness seem to be primarily caused by obsession, argued to be the most fundamental of the many and varied symptoms of love.
Because no appropriate diagnosis exists, lovesickness is subject to misdiagnosis, as depression, for example. Tallis has asked whether the condition should be taken more seriously by professionals. According to Tallis, a typical clinician will not receive referrals for lovesickness, despite the intensity of potential consequences. Lovesickness may be the underlying cause of many problems being reported, so proper examination is important. One possible consequence would be suicide of the lovesick individual—hence why it was considered a potentially fatal illness by ancient physicians.
The nature of lovesickness as an illness or pathology is now being compared to addiction by modern authors. Lovesickness has been included under discussion of "love addiction", the proposed diagnosis for love relations involving severe distress or adverse consequences. However, a difficulty exists around defining such a disorder, because love passion normally involves some amount of addictive features. A further concern is the risk of misunderstanding and "overmedicalizing" or stigmatizing such individuals.
History
Love has been described as an illness for as long as it has been written about—as a subject of poetry, but also a comparison the medical profession accepted for over a thousand years. Lovesickness was considered a legitimate diagnosis among doctors from the time of Galen, until around the 18th and 19th centuries.
Galen was a doctor of Greek origin, associated with ancient Rome, during a time when lovesickness began to receive the attention of doctors. Galen was a follower of the Hippocratic system of medicine (humorism), and proposed that the symptoms of lovesickness were attributable to the influence of strong passion, rather than divine intervention. Hippocratic writings had also challenged the view that other mental ailments such as epilepsy had supernatural causes.
"Love melancholia" is an almost inevitable result of passionate love according to Hippocratic principles. Physicians of ancient Greece and Rome whose writings survive interpret lovesickness as a depressive illness, characterized by sadness, insomnia, despondency, dejection, physical debility, and blinking. A similarity to depressive melancholia is discussed among these authors; however, rather than having a physical cause like melancholia, lovesickness was viewed as either a kind of psychological disturbance best cured by intercourse, or as an illness, but not caused by an excess of black bile.
Sexual intercourse was often prescribed as a treatment for lovesickness by early Greek and Roman physicians. In one historical case, the Greek physician Erasistratus was called by King Seleucus of Syria to diagnose the illness of his son, Prince Antiochus. Erasistratus observed Antiochus' symptoms when different women entered the room, and upon discovering that Antiochus' illness was in fact his lovesickness for the king's wife Stratonice (Antiochus' young stepmother), Erasistratus recommended to Seleucus that he give up his wife to save his son, believing this would cure him. The king obliged, and later Antiochus and Stratonice were wed.
Remedia Amoris by the Roman poet Ovid has been called the first known treatise on lovesickness. A strong parallel has been recognized between the descriptions and advice given by Ovid, and the modern-day literature on addiction. Lovesickness is presented by Ovid as both a physical malady (with insomnia and withdrawal as symptoms), and also a disease of the will, impairing personal agency. On the subject of his own lovesickness, Ovid laments:
For recovery, Ovid recommends to "keep busy" and avoid any triggers which could reignite the lovesick individual's diminishing passion (comparable to abstinence-based unlearning of the behavior) and to contemplate the defects of the beloved.
In the Middle Ages, unrequited love was considered "a trauma which, for the medieval melancholic, was difficult to relieve." Treatments included light therapy, rest, exposure to nature, and a diet of lamb, lettuce, fish, eggs, and ripe fruit. In the Middle Ages, lovesickness was often explained by an imbalance in the humors. An excess of black bile, the humor correlated with melancholy, was usually considered the cause.
Ancient and classical authors emphasized the physical manifestations of love more so than the psychological. Lovesickness as a diagnosis fell out of popularity among doctors around the 18th and 19th centuries, due to the decline of Hippocratic principles and humorism in medicine. This shift required a new explanation for the symptoms of lovesickness, which instead became attributed to having "too much sensibility" (a term used for emotional sensitivity).
In 1915, Sigmund Freud asked rhetorically, "Isn't what we mean by 'falling in love' a kind of sickness and craziness, an illusion, a blindness to what the loved person is really like?"Janet Malcolm, Psychoanalysis: The Impossible Profession (1988) p. 9
Biological research
Addiction
Obsession
Brain scans
In the arts
The depiction of lovesickness in the form of a depressed, melancholic lover is more of a cliché of medieval and modern literature, although it was present in ancient literature as well.
In ancient literature, a frustrated lover was instead frequently depicted as violent and manic, involving murder or suicide. One such example is Medea, from ancient Greece, whose obsessive love for Jason escalates to murder. The ancient Greeks called obsessive love "theia mania" (the madness from the gods). In ancient Rome, Dido's love for Aeneas is a wound which burns like fire; Dido commits suicide as a result. Like Medea, Dido's love is depicted as the force of a divine scheme.
The poet Sappho's phainetai moi has been called the most famous example of lovesickness.
In the Middle Ages, lovesickness took on a new importance as a feature of courtly love, a body of literature which explored themes of unrequited love, inaccessibility, or separation, with suffering as a core characteristic. In the phenomenon of courtly love, the symptoms became expressed through idealization and service to the lady, in a manner as if to a feudal lord (or suzerain). Courtly love went on to influence attitudes towards love in Western culture—being incorporated into the cultural tradition of romantic love.
Lovesickness is depicted in Shakespeare's Romeo and Juliet, a story of teen suicide "generally regarded as the greatest romance in the English language" according to Stanton Peele. Peele says the pair "stand as a summary of individual and environmental forces in love addiction". At the end of the play, the pair commits suicide over a misunderstanding wherein Juliet appears dead due to the effects of a potion: Romeo poisons himself upon finding her, then Juliet stabs herself after waking up.
Modern gothic metal songs thematize lovesickness from medieval literary influences. "This emotional and physical distress is a key element of fin'amor that echoes into Gothic metal", according to The Oxford Handbook of Music and Medievalism. "In particular, lovesickness was associated with desires and passions that remained unfulfilled, resulting in symptoms such as sleeplessness, sighing, and loss of appetite, all of which were considered manifestations of the mind's efforts to restrain its passions."
See also
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