"I Still Haven't Found What I'm Looking For" is a song by Irish rock band U2. It is the second track from their 1987 album The Joshua Tree and was released as the album's second single in May 1987. The song was a hit, becoming the band's second consecutive number-one single on the US Billboard Hot 100 while peaking at number six on the UK Singles Chart.
The song originated from a demo the band recorded on which drummer Larry Mullen Jr. played a unique rhythm pattern. Like much of The Joshua Tree, the song was inspired by the group's interest in American music. "I Still Haven't Found What I'm Looking For" exhibits influences from gospel music and its lyrics describe spiritual yearning. Lead singer Bono's vocals are in high register and guitarist the Edge plays a chiming arpeggio. Adding to the gospel qualities of the song are choir-like backing vocals provided by the Edge and producers Brian Eno and Daniel Lanois.
"I Still Haven't Found What I'm Looking For" was critically acclaimed and received two nominations at the 30th Annual Grammy Awards in 1988, for Record of the Year and Song of the Year. It has subsequently become one of the group's most well-known songs and has been performed on many of their concert tours. The track has appeared on several of their compilations and concert films. Many critics and publications have ranked "I Still Haven't Found What I'm Looking For" among the greatest tracks in music history, including Rolling Stone which ranked the song at number 93 of its 2010 list of "The 500 Greatest Songs of All Time".
Writing and recording "I Still Haven't Found What I'm Looking For" originated from a demo variously titled "The Weather Girls" and "Under the Weather" that the band recorded during a jam session. Bassist Adam Clayton called the demo's melody "a bit of a one-note groove", while an unconvinced The Edge, the band's guitarist, compared it to "'Eye of the Tiger' played by a reggae band". However, the band liked the drum part played by drummer Larry Mullen Jr. Co-producer Daniel Lanois said, "It was a very original beat from Larry. We always look for those beats that would qualify as a signature for the song. And that certainly was one of those. It had this tom-tom thing that he does and nobody ever understands. And we just didn't want to let go of that beat, it was so unique." Lanois encouraged Mullen to continue pursuing and developing the weird drum pattern. Mullen said the beat became even more unusual, and although Lanois eventually mixed most of the pattern out to just keep the basics, the rhythm became the root of "I Still Haven't Found What I'm Looking For".
The group worked on the track at the studio they had set up at Danesmoate House in Dublin. Lanois compared the creation of the song to constructing a building, retaining the drums from the original demo of "The Weather Girls", then adding additional layers piece by piece, before finally "putting in furniture". Lead singer Bono was interested in the theme of spiritual doubt, which was fostered by Eno's love for gospel music, and by Bono's listening to songs by The Swan Silvertones, The Staple Singers, and Blind Willie Johnson.Stokes (2005), p. 65 After the Edge wrote a chord sequence and played it on acoustic guitar "with a lot of power in the strumming", the group attempted to compose a suitable vocal melody, trying out a variety of ideas. During a jam session, Bono began singing a "classic soul" melody, and it was this addition that made the Edge hear the song's potential. At that point, he remembered a phrase he had written in a notebook that morning as a possible song title, "I still haven't found what I'm looking for". He suggests it was influenced by a line from the Bob Dylan song "Idiot Wind": "You'll find out when you reach the top you're on the bottom". He wrote the phrase on a piece of paper and handed it to Bono while he was singing. The Edge called the phrase's fit with the song "like hand in glove". From that point on, the song was the first piece played to visitors during the recording sessions.
As recording continued, a number of guitar overdubs were added, including an auto-pan effect and a chiming arpeggio to modernise the old-style "gospel song". While the Edge was improvising guitar parts one day, Bono heard a "chrome bells" guitar hook that he liked. It was added as a counter-melody to the song's "muddy shoes" guitar part, and it is this hook that the Edge plays during live performances of the song. Bono sang in the upper register of his range to add to the feeling of spiritual yearning; in the verses he hits a B-flat note, and an A-flat in the chorus. Background vocals were provided by the Edge, Lanois, and co-producer Brian Eno, their voices being multi-tracked. Lanois suggests that his and Eno's involvement in the track's creation helped their vocals. He stated, "You're not going to get that sound of, 'Oh they brought in some soul singers' if you know what I mean. Our hearts and souls are already there. If we sing it'll sound more real." Lanois also played a percussive guitar part, which is heard in the introduction. The song's writing was completed relatively early during the band's time at Danesmoate House. The mix took longer to complete, though, with most of the production team contributing. The final mix was completed by Lanois and the Edge in a home studio set up at Melbeach, a house purchased by the Edge. They mixed it on top of a previous Steve Lillywhite mix, which gave the song a phasing sound. The final version of the song is composed in the key of D-flat major.
Lanois says he is very attached to "I Still Haven't Found What I'm Looking For" and has, on occasion, joined U2 on stage to perform it. The original "Weather Girls" demo, re-titled "Desert of Our Love", was included with the 2007 remastered version of The Joshua Tree on a bonus disc of outtakes and B-sides.
Release Initially, "Red Hill Mining Town" was planned for release as the second single. However, Bono was unable to sing the song during pre-tour rehearsals and the band were reportedly unhappy with the video shot by Neil Jordan, so "I Still Haven't Found What I'm Looking For" became a late choice for the second single.McGee (2008), p. 103 The single was released in May 1987. On the US Billboard Hot 100, the song debuted at number 51 on 13 June 1987. After nearly 2 months on the chart, the song reached number one on 8 August 1987, becoming the band's second consecutive number-one hit in the United States. The song spent two weeks in the top spot, and remained on the chart for 17 weeks. On other Billboard charts, the song peaked at number 16 on the Adult Contemporary chart, and number two on the Album Rock Tracks chart. The song also topped the Irish Singles Chart, while peaking at number six on the Canadian RPM Top 100 and the UK Singles Chart. In New Zealand, the song peaked at number two on the RIANZ Top 40 Singles Chart, while reaching number six on the Dutch Top 40 and number 11 on the Swedish Singles Chart.
Music video The accompanying music video for the song was filmed on Fremont Street in Las Vegas on 12 April 1987 following their Joshua Tree Tour concert in that city. It features the band members wandering around while the Edge plays an acoustic guitar. The music video was later re-released on The U218 Videos compilation DVD. Pat Christenson, president of Las Vegas's official event organization, credits the group's video with improving the city's image among musicians. "The whole perception of Vegas changed with that video," Christenson said, adding, "Now all the big names come here, some of them five, six times a year."
B-sides "Spanish Eyes" was created early during The Joshua Tree sessions. It began as a recording made in Adam Clayton's house of Clayton, the Edge, and Larry Mullen Jr. playing around with several different elements. The piece evolved substantially over the course of an afternoon, but the cassette and its recording was subsequently lost and forgotten. The Edge found the cassette towards the end of the album sessions and played it to the rest of the group. The band realised that it was a good track, but did not have enough time to complete it prior to The Joshua Trees release.
"Deep in the Heart" stemmed from a three-chord piano piece Bono composed on the piano about the last time he had been in the family home on Cedarwood Road in Dublin, which his father had just sold. The memories of his time living there gave rise to many of the lyrical ideas on the song. The Edge and Adam Clayton reworked the piece extensively, with Bono later describing the finished result as "an almost jazz-like improvisation on three chords", also noting that "the rhythm section turned it into a very special piece of music." The song was recorded in a similar manner to the song "4th of July" from U2's 1984 album, The Unforgettable Fire; the Edge and Clayton were playing together in a room and unaware that they were being recorded on a 4-track cassette machine by the band's assistant, Marc Coleman.
Reception "I Still Haven't Found What I'm Looking For" received widespread critical acclaim. Hot Press journalist Bill Graham described the song as on the one-hand as a "smart job of pop handwork, pretty standard American radio rock-ballad fare" but that "the band's rhythms are far more supple and cultivated than your average bouffant HM band of that period".Graham (2004), pp. 30-31 The Sunday Independent suggested that the song was proof the band could be commercially accessible without resorting to rock clichés. NME remarked that the song showed that the band cared about something, which made them "special". The Rocket noted that Bono's lyrics about needing personal spirituality resulted in a "unique marriage of American gospel and Gaelic soul" and that the "human perspective he brings to this sentiment rings far truer than the rantings of, say, the born-again Bob Dylan".
Cash Box said that "Typically drenched in Bono-esque pathos and Edge-guitar atmospherics, 'Still' has the power of spiritual conviction delivered from the perspective of the desert sojourn rather than the comfort of the Promised Land." Several publications, including The Bergen Record and The Boston Globe, called the track "hypnotic" and interpreted it as depicting the band on a spiritual quest. The song finished in 18th place on the "Best Singles" list from The Village Voices 1987 Pazz & Jop critics' poll.
Live performances The song is U2's 9th most played live song, and has been played on every tour except for the eXPERIENCE+iNNOCENCE Tour in 2018. It was played at every date of The Joshua Tree and Lovetown Tours, typically early in the main set. It was played at most of the 1992 legs of the Zoo TV Tour, typically rounding out the main set or being played acoustically on the B-Stage mid set. For most of the 1993 Zooropa shows however, the song was dropped. It returned to be played at each of the PopMart Tour's 93 shows, usually being played midway through the set. On the Elevation Tour it initially was very rare, only appearing once over the first and second legs. However, it became a regular again on the 3rd leg, being played late in the main set replacing the song "Mysterious Ways", which was used in that spot on the previous two legs. It was played at the majority of both the Vertigo and U2 360° Tours, typically early-to-mid main set. It was used as the closing song at just under half of the shows on the Innocence + Experience Tour, rotating with "One" and "40".