Jason Middlebrook (born 1966) is an American visual artist whose work includes public art, installation, sculpture, drawing and painting.Wei, Lilly. "Jason Middlebrook," Art in America, June/July 2009. Retrieved July 3, 2025.Smee, Sebastian "Beauty, brilliance at Mass MoCA," The Boston Globe, June 15, 2013. Retrieved July 3, 2025.Adler, Margot. "Rx Art For Hospitals: Just What The Curator Ordered," NPR All Things Considered, September 30, 2010. Retrieved July 3, 2025. He is most known for public mural and mosaic projects, such as Brooklyn Seeds (2012, commissioned by MTA Arts & Design),Gittlen, Ariela. "7 Artists Reinventing the Ancient Art of Mosaics,", Artsy, February 2, 2018. Retrieved July 3, 2025.MTA Arts & Design. Brooklyn Seeds, Jason Middlebrook, Collection. Retrieved July 3, 2025. and his body of "plank sculptures"—rough-hewn slabs of hardwood onto which he paints intricate, mainly abstract patterns.Wolff, Rachel. "Jason Middlebrook's Captivating Wood Paintings," Architectural Digest, April 2013. Retrieved July 3, 2025.Viveros-Fauné, Christian, "Jason Middlebrook: A Break from Content," ArtReview, December 2011. Retrieved July 3, 2025.Kirschner, Noelani. "Jason Middlebrook," The American Scholar, September 16, 2024. Retrieved July 3, 2025. His art explores relationships between the natural and human-made environments, merging geometric abstraction and organic materials and motifs, as well as conceptualism and craftsmanship.Kane, Tim. "On exhibit: 'Jason Middlebrook: My Landscape' at Mass MoCA," Times Union, July 24, 2013.
Middlebrook's art belongs to the collections of the Museum of Modern Art,Museum of Modern Art. Jason Middlebrook, Artists. Retrieved July 3, 2025. New Museum,The New Museum. Jason Middlebrook, Artists. Retrieved July 3, 2025. Whitney Museum,Whitney Museum. Jason Middlebrook, The Endless Outpouring of Support, Collection. Retrieved July 3, 2025. Museum of Fine Arts, Boston,Museum of Fine Arts Boston. Vertical Landscape Painting, Jason Middlebrook, Collections. Retrieved July 3, 2025. and Museum of Contemporary Art Chicago,Museum of Contemporary Art Chicago. Jason Middlebrook, Drawing for "From the Forest to the Mill to the Store to the Home to the Streets and Back Again", Collection. Retrieved July 3, 2025. among others. He has exhibited at the latter four venues, MASS MoCA, Site Santa Fe and the Buffalo AKG Art Museum.Museum of Fine Arts Boston. "Landscape, abstracted: Jason Middlebrook," 2014. Retrieved July 3, 2025.Site Santa Fe. Jason Middlebrook, Artists. Retrieved July 3, 2025.Buffalo AKG Art Museum. Jason Middlebrook, Artists. Retrieved July 3, 2025. After being based in Brooklyn, Middlebrook lives and works in Hudson, New York.
Life and career Middlebrook was born in Jackson, Michigan in 1966. He spent his formative years amid the counterculture of Northern California.Selz, Gabrielle. "The Uncontained Art of Jason Middlebrook,", Hamptons Art Hub, September 18, 2014. Retrieved July 3, 2025.Bodick, Noelle. "Jason Middlebrook on Returning to Nature—and a Bartering Society—Through His Art," Artspace, August 7, 2014. Retrieved July 3, 2025. In 1990 he graduated from the University of California, Santa Cruz with a BFA. He earned an MFA from San Francisco Art Institute in 1994 before moving to New York, where he attended the Whitney Independent Study Program (1994–95).Pagel, David. "Pointed warnings to the self-satisfied," Los Angeles Times, January 14, 2005. Retrieved July 3, 2025.
Middlebrook has had solo exhibitions at institutions including the New Museum,Bowles, Emily. "Jason Middlebrook at Sara Meltzer and the New Museum," Art in America, May 2002. Santa Monica Museum of Art,Ollman, Leah. "In Search of Subversion," Los Angeles Times, January 11, 2002. Retrieved July 3, 2025. The Contemporary Austin, MASS MoCA,Mass MOCA. "Jason Middlebrook: My Landscape," Events. Retrieved July 3, 2025. SCAD Museum of Art,Donoghue, Katy. "SCAD deFINE Art 2014: Jason Middlebrook's Submerged,", Whitewall, February 25, 2014. Retrieved July 3, 2025. and Moss Arts Center (Virginia Tech).Virginia Tech News. "Sweeping, wall-length panoramic mural inspired by the Moss Arts Center’s stunning architecture," September 11, 2020. Retrieved July 3, 2025. Gallery exhibitions have taken place at Margo Leavin (Los Angeles), DODGE and Miles McEnery in New York, and Monique Meloche (Chicago).James, Damien. "Jason Middlebrook/Monique Meloche Gallery," New City, May 31, 2010. Retrieved July 3, 2025. He has appeared in group shows at the Whitney Museum,Johnson, Ken. "Pastoral Pop!", The New York Times, August 25, 2000. Retrieved July 3, 2025. Institute of Contemporary Art, Boston,Mutual Art. "ICA Collection: Expanding the Field of Painting," 2013. Retrieved July 3, 2025. and Orange County Museum of Art, among other venues.Knight, Christopher. "Alexander Calder and Contemporary Art: Form, Balance, and Joy at Orange County Museum of Art," Los Angeles Times, April 15, 2011. Retrieved July 3, 2025.
Work and reception Public art projects Middlebrook's site-specific public projects—which include works in paint, sculpture and mosaic—engage with nuances of nature, place and architectural space.Cummins Inc. Jason Middlebrook, A Growing Landscape, Art Strategies. Retrieved July 3, 2025.Buffalo AKG Art Museum. Underlife, 2012–13, Collection. Retrieved July 3, 2025.U.S. Department of State. Jason Middlebrook, Art in Embassies, Artists. Retrieved July 3, 2025.Rx Art. "Children's Memorial Hermann Hospital Trenton Doyle Hancock and Jason Middlebrook," 2012. Retrieved July 3, 2025. His wall painting Traveling Seeds (2009) was commissioned by Rx Art for the bone marrow transplant unit at Mount Sinai Medical Center and described by The New York Times as "a symbol of hope and regeneration."Egan, Maura. "Curative Medicine," The New York Times, November 8, 2009. Retrieved July 3, 2025. The work depicts flowers and germinating, wind-blown seeds on the hospital's walls and columns as a metaphor for the potential of bone marrow to give patients new life.
In several mosaic projects, Middlebrook extended that visual theme, exploring diverse plants and wildlife at larger-than-life scale in order to emphasize their importance to the specific regions of each commission.U.S. General Services Administration. Growing in the Mobile Delta, Jason Middlebrook, Artworks. Retrieved July 3, 2025.Tampa International Airport. "Latest Commissions." Retrieved July 3, 2025. Brooklyn Seeds (2011, MTA Brooklyn) stages a monumental garden of delicate flowers and airborne seedpods that climbs a stair wall from Avenue U to an elevated train platform; Middlebrook chose local wildflowers (burdock, goldenrod, aster, milkweed) that thrive in unlikely urban spaces like alleys, walls and cracks in sidewalks. Growing in the Mobile Delta (2018) comprises eight vibrant glass mosaics depicting delta flowers of varying color and shape that were integrated into the classical architecture of the Mobile (Alabama) Federal Building & Courthouse lobby. The immersive, 952-square-foot mosaic Florida Sunset (2021, Tampa International Airport) celebrates the area's biodiversity with oversize imagery of ten species including native flowers, insects and a snowy egret.Miller, Margaret. "The Gallery: Florida Sunset by Jason Middlebrook," Tampa Magazine, January/February 2022. Retrieved July 3, 2025. Middlebrook's series of 17 mosaics for the University of Nebraska Omaha's Durham Science Center (2024) focuses on the center's five disciplines (chemistry, astronomy, math, geography and geology), juxtaposing imagery of the atom, Milky Way and Golden Ratio with regional features such as Nebraska windmills and Chimney Rock.Nebraska 1% for Public Art. Jason Middlebrook, Planets, Artwork Archive, New Acquisitions. Retrieved July 3, 2025.Nebraska 1% for Public Art. Jason Middlebrook, Artwork Archive, Artists. Retrieved July 3, 2025.
Middlebrook's public projects also include sculptural and architectural works. Underlife (2012–13) is a monumental, tentacle-like outdoor sculpture in steel, fiberglass and tile created in response to the Frederick Law Olmsted–designed landscape surrounding the Buffalo AKG Museum campus.Buffalo Architecture and History. Underlife, 2012–13, Public Art. Retrieved July 3, 2025. Animated by glittering glass, it resembles the complex root system of a tree displaced from its natural, underground state, looming aboveground and exposed as a representation of the life force and underbelly of nature. Water Light (2017, Walnut Creek, California) combines an abstract mirror-tile mosaic composition, syncopated arcing fountain and hard-scape design with echoing forms that create a focal point for a pedestrian courtyard.Bedford Gallery. Water Light, Public Art Collection. Retrieved July 3, 2025.
Plank sculptures Middlebrook developed his plank sculptures after he moved to the Hudson River Valley in the mid-2000s and became fascinated by the surrounding forests and the notion of trees as records of compressed history. A visit to a sawmill led him to consider discarded burls as substrates for paintings.Fee, Brian, "Abstract Planking: Jason Middlebrook at Lora Reynolds Gallery," New American Paintings, July 2013. Begun in 2008, the planks use totemic sections of local hardwoods—some 20 feet high—as sculptural canvasses onto which he inscribes detailed abstract patterns in glossy, vivid industrial colors.Gibson, David. "Jason Middlebrook," Flash Art, January–February 2012. Made of woods such as cherry, walnut, cottonwood, maple and elm—and generally leaned against the wall like John McCracken sculptures or surfboards—the planks have smooth, flat surfaces but often retain the organic shapes and craggy, bark-encrusted textures of their edges.Ding, Chinnie. "Jason Middlebrook," Artforum, December 2011.Young, Stephanie. "Jason Middlebrook Uses Recycled Wood to Produce Striking Geometric Paintings and Sculpture,” Beautiful Decay, May 4, 2015.
The planks balance a reverence for the found organic grain of the bare wood with the human desire to aesthetically mark or comment with forms that work with or against the grain. Their compositions range from hard-edged, mandala-like arrangements of straight, jagged or zigzagging lines that reference geometric abstractionists like Ellsworth Kelly, Sol LeWitt and Frank Stella (e.g., Dividing My Time, 2017) to cascades of sinuous waves inspired by the plank shapes, which recall the Op art of Bridget Riley (e.g., Black and White Number 2, 2011). In some cases, forms spread concentrically from natural cavities in the timber to suggest notions of geological duration and formation associated with geodes and tree rings (e.g., Geode Plank, 2011; Keep Digging, 2013).
Drawings, sculpture and installations Art in America critic Lilly Wei characterized Middlebrook's earlier work as "playfully earnest and visually provocative," with "persistent themes [of] nature v. culture, repurposing throwaways, runaway consumption and its impact on the environment." It often centered on quasi-narrative, dystopian sculptures and drawings that portrayed architectural and cultural icons (e.g., Getty Center, 2001; Capit L Records Building, 2005) succumbing to the ravages of time, disaster, abandonment or overgrown nature. For example, the installation Dig (2002) was a cross-sectional layer of faux topsoil and plants that seemed to colonize a stairwell at the New Museum.