About the Golden-Haired Boy (Polish: O chłopcu złotowłosym) is a Polish fairy tale first collected by ethnographer Karol Mátyás. It is classified in the international Aarne-Thompson-Uther Index as ATU 314, "Goldener". It deals with a friendship between a king's son and a magic horse that are forced to flee for their lives due to the boy's own mother, and reach another kingdom, where the boy adopts another identity.
Although it differs from variants wherein a hero acquires golden hair, its starting sequence (persecution by the hero's own mother) is considered by scholarship as an alternate opening to the same tale type.
Sources The tale was originally published by folklorist in magazine .Krzyżanowski, Julian. Polska bajka ludowa w ukìadzie systematycznym: Wa̜tki 1-999. Wydawn. Polskiej Akademii Nauk, 1962. pp. 97, 98 (entry nr. 19). Polish folklorist Julian Krzyżanowski sourced it from Kraków.
Summary In this tale, a woman has a son and begins an affair while her husband is away, so she decides to kill her own son to hide the affair. The boy has a magic pet horse, a small pony he talks to when he goes to school, and one day the horse warns the boy about his mother's deadly plot: first, it warns that his mother plans to poison his food, so he is to avoid the meal altogether. The boy does as the pony instructs, but his father's favourite dog eats the poisoned meal eats it and dies, to the boy's relief and the mother's disappointment. The next day, the pony warns the boy his mother will insist he takes a bath, but he is to throw some clothes on the bath his mother prepared for him. The boy pretends to have a fever and goes to fulfill the pony's request: just as he tosses the clothes in the bathtub, the water destroys them. The boy's mother, to save face, chastises her son for ruining his clothes. Thirdly, the horse warns the boy his mother set the bed for him in a way that will prickle him to death, so he is to avoid sleeping on the bed and toss the cat on it. It happens thus, and the cat is torn to pieces.
While the boy is at school the other day, his mother writes a "telegraph" to her husband, spinning a false story that their son is training to be a bandit, so he killed their dog and their cat and destroyed his own clothes. The boy's father believes in the lie and orders his son to be executed. As soon as the boy returns from the school his pet horse rushes to warn him they plan to execute him, so the pony will ride away with the boy and he will reveal the whole truth to the people; the horse will even remind him if he misses any detail. The boy's father comes back and is ready to kill his son, to his wife's delight, whose crimes will not be discovered. However, the boy takes off a wig from his head, revealing his golden hair, rises with his horse in the air and tells his father everything his mother did to him. The horse begins to talk and confirms everything, then suggests the woman is drawn and quartered. It happens thus, and the boy's father asks for his son to return home, but he decides to depart.
The golden-haired boy rides away with the horse to the forest, where he puts on a bearskin, as the animal advised him to do. Nearby, there is a large manor where three daughters live, and the boy sneaks in the garden and to the gardener's quarters. He hides under the stove, but is found by the gardener, who takes him in as his assistant. The boy helps the gardener prepare three bouquets for the sisters, and ties a strand of his golden hair to the third bouquet, which he gives to the youngest sister. The girl notices the golden hair and inquires the gardener about it, but he says he does not know of its source.
Later, the girls go to church on Sunday, when a richly dressed man with golden hair appears. The youngest sister realizes the golden hair came from him. The golden-haired man, who is the gardener's assistant, also notices her, then rushes back to his lowly disguise at the cave, by putting on the bearskin and resting under a tree in the garden. However, he forgets about covering his own hair, and the girl is just beside him. The girl asks why he always wears the bearskin, and he jokes he can take it off, but the girl refrains him from doing so, for fear of anyone finding him. The girl returns home and finds some suitors aiming for her hand, but she made her choice: the boy in bearskin. Her mother is furious with her decision, and states she will have no dowry, but the girl dismisses it. Still, their father marries them off, while the elder sisters marry their respective husbands with larger dowries.
The boy in bearskin spends his days hunting. One day, on Christmas, his two brothers-in-law are hunting, but cannot find any game, when they spot their brother-in-law surrounded by hares and deer. The brothers-in-law ask for him to sell some of his game, and a deal is made: some of the game, in exchange for branding the face of one of the men with a heated horseshoe. The next time, the brothers-in-law find him again and ask him for some game, and he agrees to give them, in exchange for branding his nose with a cwancygiera ("zwanzieger", a type of silver coin). He returns home to his wife and rests for a bit, after a hurt leg, when a maidservant of his parents-in-law come with a letter to invite them for a meal at the main house. The maidservant notices the place is humble, but beautiful. Still, the couple refuse their invitation. Some time later, the girl's mother goes to talk to her daughter and compliments her decision to marry the lowborn boy, for the other two sons-in-law have been branded by a person the woods. The girl tells her mother her husband is asleep, and shows her the horseshoe and the cwancygiera.
Analysis Tale type Polish philologist and folklorist Julian Krzyżanowski, establisher of the Polish Folktale Catalogue according to the international index, classified the tale as Polish type 314, Zaczarowany koń ("Enchanted Horse").Krzyżanowski, Julian. Polska bajka ludowa w ukìadzie systematycznym: Wa̜tki 1-999. Wydawn. Polskiej Akademii Nauk, 1962. p. 97. The Polish type corresponds, in the international Aarne-Thompson-Uther Index, to tale type ATU 314, "The Goldener": a youth with golden hair works as the king's gardener. The type may also open with the prince for some reason being the servant of an evil being, where he gains the same gifts, and the tale proceeds as in this variant.
Introductory episodes Scholarship notes three different opening episodes to the tale type: (1) the hero becomes a magician's servant and is forbidden to open a certain door, but he does and dips his hair in a pool of gold; (2) the hero is persecuted by his stepmother, but his loyal horse warns him and later they both flee; (3) the hero is given to the magician as payment for the magician's help with his parents' infertility problem.Bolte, Johannes; Polívka, Jiri. Anmerkungen zu den Kinder- u. hausmärchen der brüder Grimm. Dritter Band (NR. 121–225). Germany, Leipzig: Dieterich'sche Verlagsbuchhandlung, 1918. p. 97.Uther, Hans-Jörg (2004). The Types of International Folktales: A Classification and Bibliography, Based on the System of Antti Aarne and Stith Thompson. Suomalainen Tiedeakatemia, Academia Scientiarum Fennica. p. 198. .Dammann, Günter. "Goldener (AaTh 314)". In: Enzyklopädie des Märchens Band 5: Fortuna – Gott ist auferstanden. Edited by Rudolf Wilhelm Brednich; Hermann Bausinger; Wolfgang Brückner; Helge Gerndt; Lutz Röhrich; Klaus Roth. De Gruyter, 2016 . pp. 1373-1374. . Folklorist Christine Goldberg, in Enzyklopädie des Märchens, related the second opening to former tale type AaTh 532, "The Helpful Horse (I Don't Know)", wherein the hero is persecuted by his stepmother and flees from home with his horse.Goldberg, Christine. "Pferd: Das hilfreiche Pferd (AaTh 532)". In: Enzyklopädie des Märchens Band 10: Nibelungenlied – Prozeßmotive. Edited by Rudolf Wilhelm Brednich; Hermann Bausinger; Wolfgang Brückner; Helge Gerndt; Lutz Röhrich; Klaus Roth. De Gruyter, 2016 . p. 933. . https://www.degruyter.com/database/EMO/entry/emo.10.177/html
American folklorist Barre Toelken recognized the spread of the tale type across Northern, Eastern and Southern Europe, but identified three subtypes: one that appears in Europe (Subtype 1), wherein the protagonist becomes the servant to a magical person, finds the talking horse and discovers his benefactor's true evil nature, and acquires a golden colour on some part of his body; a second narrative (Subtype 3), found in Greece, Turkey, Caucasus, Uzbekistan and Northern India, where the protagonist is born through the use of a magical fruit; and a third one (Subtype 2). According to Toelken, this Subtype 2 is "the oldest", being found "in Southern Siberia, Iran, the Arabian countries, Mediterranean, Hungary and Poland". In this subtype, the hero (who may be a prince) and the foal are born at the same time and become friends, but their lives are at stake when the hero's mother asks for the horse's vital organ (or tries to kill the boy to hide her affair), which motivates their flight from their homeland to another kingdom.Toelken, Barre. "The Icebergs of Folktale: Misconception, Misuse, Abuse". In: Carol L. Birch and Melissa A. Heckler, eds. Who Says? – Essays on Pivotal Issues in Contemporary Storytelling. Little Rock, Arkansas: August House Publishers, 1996. pp. 42-43.
Motifs Professor Anna Birgitta Rooth stated that the motif of the stepmother's persecution of the hero appears in tale type 314 in variants from Slavonic, Eastern European and Near Eastern regions. She also connected this motif to part of the Cinderella cycle, in a variation involving a male hero and his cow.Rooth, Anna Birgitta. The Cinderella Cycle. Lund, 1951. pp. 138-139.
The suitor selection test The motif of the princess throwing an apple to her suitor is indexed as motif H316, "Suitor test: apple thrown indicates princess' choice (often golden apple)". According to mythologist Yuri Berezkin and other Russian researchers, the motif is "popular" in Iran, and is also attested "in Central Europe, the Balkans, the Caucasus, the Near East, and Central Asia".
According to Turkologist , types ATU 314 and ATU 502 contain this motif: the princess chooses her own husband (of lowly appearance) in a gathering of potential suitors, by giving him an object (e.g., an apple). However, he also remarks that the motif is "spread in folk literature" and may appear in other tale types.Reichl, Karl. Turkic Oral Epic Poetry: Traditions, Forms, Poetic Structure. Routledge Revivals. Routledge. 1992. p. 136. .
Germanist , in Enzyklopädie des Märchens, argued that Subtype 2 (see above) represented the oldest form of the Goldener narrative, since the golden apple motif in the suitor selection roughly appears in the geographic distribution of the same subtype.Dammann, Günter. "Goldener (AaTh 314)" [Goldener (ATU 314)]. In: Enzyklopädie des Märchens Online, edited by Rolf Wilhelm Brednich, Heidrun Alzheimer, Hermann Bausinger, Wolfgang Brückner, Daniel Drascek, Helge Gerndt, Ines Köhler-Zülch, Klaus Roth and Hans-Jörg Uther. Berlin, Boston: De Gruyter, 2016 . pp. 1379–1380. https://www-degruyter-com.wikipedialibrary.idm.oclc.org/database/EMO/entry/emo.5.211/html. Accessed 2023-06-22.
The gardener hero According to Richard MacGillivray Dawkins, in the tale type, the hero as gardener destroys and restores the garden after he finds work, and, later, fights in the war. During the battle, he is injured, and the king dresses his wound with a kerchief, which will serve as token of recognition.Dawkins, Richard McGillivray. Modern Greek folktales. Oxford: Clarendon Press. 1953. p. 249.
Branding the brothers-in-law