Zong! is a 2008 book-length poem by Canadian writer M. NourbeSe Philip. The work was first published in the U.S. by Wesleyan University Press and by The Mercury Press in Canada. Phillip has frequently staged full-length readings of the poem internationally as performance art.
The poem focuses on victims of the Zong massacre, approximately 150 enslaved Africans who were murdered for insurance purposes in 1781. Reaction to the massacre and the lawsuits surrounding the case would propel the British abolitionist movement forward. The entire poem is composed solely of words found in the 1783 case Gregson v Gilbert, which determined that the massacre was legal.
Controversies In 2016, Philip was approached by award-winning poet and translator Renata Morresi about translating her work into Italian. The translation was eventually published with the title Zong! Come narrato all'autrice da Setaey Adamu Boateng, edited by Renata Morresi and Andrea Raos, translated by Renata Morresi except for the sections "Ebora" (translated by Mariangela Guatteri), "Notanda" and "Gregson vs Gilbert" (translated by Andrea Raos), Benway Series, 2021, with the support of the Canada Council for the Arts. Philip then denounced the Italian translation, stating that it went forward without her knowledge or consent after her American publishers sold the rights. Philip's reaction, and her launching of a petition asking for the destruction of the book, sparked a heated online debate, the translators defending their position with three bilingual essays published on the publisher's website. In 2022 "Testo a fronte", an Italian bi-annual publication specialized in translation studies, published a special issue on the matter, edited by Lorenzo Mari, containing nine essays by authors in favor and against the publication."Testo a fronte" n. 66-67, I-II semestre 2022, Firenze, Olschki.
Philip has also accused Dutch playwright Rana Hamadeh of heavily using her research and poem in her opera The Ten Murders of Josephine. In a lengthy blog post, she criticized Hamadeh for her use of the poem and its structure.
References
Further reading
External links