Anton Parsons (born 1968, in Palmerston North) is a New Zealand sculptor. His work often contain letters and numbers, sometimes in Braille or Braille-like codes, these are typically arranged along linear of curvilinear surfaces. Some of his early work consisted of meticulously crafted oversize pencils and other writing equipment. Later he produced a series of works involving oversized Braille often in collaboration with the blind poet Dr. Peter Beatson of Palmerston North. The Braille works were followed by a series of works designed to fit in gallery doorways, they consisted of vertical plastic strips similar to a cheap fly screen.
Education Parsons gained a Bachelor of Fine Arts in Sculpture at the Canterbury School of Fine Art in 1990.
Awards and grants While at university Parsons was awarded the Rosemary Muller sculpture award and obtained a number of grants in the following years which allowed him to develop his practice.
1990 – Rosemary Muller sculpture award, University of Canterbury 1991 – Q.E.2 Arts Council, Creative projects grant 1993 – Q.E.2 Arts Council, Professional development grant 1996 – Creative New Zealand, New work development grant
Public commissions
Parsons has been commissioned to produce a number of site specific sculptures in New Zealand
1992 – Alphabeti, Department of Justice, High Court, Wellington 2002 – Gone Fishing, PriceWaterhouse Coopers Building, Auckland 2002 – Polyglot, North Shore District Court, Albany 2003 – Invisible City, Lambton Quay, Wellington. 2004 – Analogue, KPMG Building, Tauranga 2007 – Numbers, Coleman Mall, Palmerston North 2011 – Passing Time, Wilson Reserve, Christchurch
Collections
Manawatu Art Gallery, Palmerston North Govett Brewster Art Gallery, New Plymouth Robert McDougal Art Gallery, Christchurch Sargent Art Gallery, Wanganui, New Zealand Chartwell Collection, Auckland, New Zealand Museum of New Zealand, Te Papa Tongarewa
References