Boomerang is a 1992 American romantic comedy film directed by Reginald Hudlin. The film stars Eddie Murphy as Marcus Graham, a hotshot advertising executive who also happens to be an insatiable womanizer and male chauvinist. When he meets his new boss, Jacqueline Broyer (Robin Givens), Marcus discovers that she is essentially a female version of himself, and he realizes he is receiving the same treatment that he delivers to others. The film also features Halle Berry, David Alan Grier, Martin Lawrence, Grace Jones and Eartha Kitt.
Murphy assisted in developing the story with writers Barry W. Blaustein and David Sheffield, having worked with the writing duo since his days on Saturday Night Live. Murphy hired Hudlin to direct Boomerang, following the latter's success with his debut film House Party (1990). Hudlin and the writers aimed to create a romantic comedy that differed strongly from Murphy's previous comic efforts. Filming took place mainly in New York City, while other scenes were filmed in Washington, D.C.
The film was released in the United States by Paramount Pictures on July 1, 1992, and was the 18th highest-grossing film in North America that year. Boomerang earned over $131 million worldwide during its theatrical run. The film garnered nominations at the BMI Film & TV Awards and the MTV Movie Awards, while its soundtrack became a top-selling album. Entertainment Weekly called it an underrated classic and one of the best Eddie Murphy movies of the 1990s. A 2019 television series based on the film, also called Boomerang, premiered on February 12, 2019, on BET.
Plot Advertising executive Marcus Graham is a serial womanizer, prone to lying to seduce women but unwilling to commit until he finds the "perfect woman." His friends Tyler and Gerard tell him his standards are too high, particularly his habit of judging women by their feet.
Marcus's company is acquired by cosmetics mogul Lady Eloise, who invites him to her home with amorous intentions; he spends the night with her, believing he will be promoted. The next day, he meets Jacqueline Broyer, who has been made head of his department instead. At a party to celebrate the merger, eccentric fashion diva Helen Strangé is announced as the new face of the company, and Jacqueline introduces Marcus to colleague Angela Lewis, whom he sets up with Gerard. Though they get along fine, Angela and Gerard learn that they're better as friends.
Despite his best efforts, Marcus is unable to woo Jacqueline. Over dinner at his apartment, she ignores his advances and is more interested in the basketball game on TV, leaving him frustrated. On a business trip to New Orleans, Jacqueline unexpectedly invites Marcus into her room, and they have sex. Afterward, he is relieved to find her feet up to his standards.
Marcus begins to fall for Jacqueline, but finds himself on the receiving end of his usual tactics: she ignores his feelings, manipulates him with sex, and keeps their relationship strictly on her terms. Discovering she has bragged about their trysts to Strangé, whose advances he is forced to reject, Marcus confronts Jacqueline, and she ends their affair. Marcus finds himself the subject of office gossip, and his work begins to suffer. After a major business proposal is almost ruined, Jacqueline forces Marcus to take a few paid weeks off as an alternative to being fired.
Marcus spends time with Angela, a friend of Gerard, who tries to bring him out of his funk. He realizes he's developing feelings for her when they bond over watching late night reruns of Star Trek. After hosting Thanksgiving dinner with Tyler, Gerard, and Gerard's tactless parents, Marcus and Angela sleep together. Gerard is furious, believing Marcus will mistreat Angela like his past conquests. They move in together, but she is hurt when he downplays their relationship in a phone call with Jacqueline. Marcus, having regained his confidence, proves newly attractive to Jacqueline, and they sleep together again.
Marcus returns home to Angela in the middle of the night, and when she confronts him in the morning, he explains that he is confused by his feelings for her and for Jacqueline. She breaks up with him and takes a promotion at another company. Marcus rebounds with Jacqueline, but realizes his love for Angela; he returns home to find she has moved out. Marcus reconciles with Gerard, and visits Angela at her new job, convincing her that he is truly committed to her, and they get back together.
Cast
Production
Development Eddie Murphy created the original idea for the film, which he took to writers Barry Blaustein and David Sheffield, both of whom he had been working with during his days at Saturday Night Live. After they finished the first draft of the script and were given the greenlight on the project, Murphy offered the directing job to Reginald Hudlin, who had previously found critical and commercial success with his debut film House Party. For Boomerang, Hudlin said that, from a creative standpoint, he really wanted to take Murphy "somewhere where he's never been before," and that he and the writers' goal was to "put Eddie through paces. To have him have an arc like most characters in movies do, where he's not just the Br'er Rabbit character starting trouble," and to put him in a situation that "allows him to have a genuine obstacle."
Woody Omens, the cinematographer of the film, was insisted upon by Murphy, who had previously worked with him on Harlem Nights. Earl Watson worked as the film's main editor, and had previously worked with Hudlin on House Party. Francine Jamison-Tanchuck worked as the film's costume designer.
The intention was to give Murphy's character Marcus Graham a cool, yet sophisticated style. "So typically when it comes to black characters, either you have to be a successful, smart business person, or you're hip, but you're never both," said Hudlin. "And one of the reasons why the movie has had such enduring popularity is because the character is both. He's much more in the Cary Grant mode of business person." While working on the characterization of the main character, Hudlin came up with the foot gag, which was used as a plot device to show the arc of the character's growth. It originated from a joke between the director and his friends about a man who's so picky about women that he even looks at their back teeth. "So it's like, how do we define that Eddie's a back teeth kind of guy? So I came upon the idea of showing feet. That no matter how beautiful this woman is, if she has messed up feet, he's out of there." Also, Hudlin said that "we know he's evolved into a higher level of consciousness when he doesn't even notice what Halle Berry's feet look like." The character Angela's art class was an idea the filmmakers had to put Murphy in a context where he could interact with kids, which he hadn't done prior to this film.
The cast rehearsed for two weeks before production started, which the director said "really created that sense of team, and everyone playing off each other and everyone having that comfort level." Murphy even told Hudlin that he hadn't rehearsed since his days at SNL, and that he was going to rehearse for all of his movies from then on.
The scene in which Marcus changes his mind while with Jacqueline was a major rewrite to the script. According to Hudlin, in the original draft, Eddie's character Marcus
Casting
Hudlin knew immediately that he wanted Halle Berry for the role of Angela after she came in and did the reading, and was nervous that Murphy wouldn't like her. Berry had appeared in a couple of films prior to being cast in Boomerang. However, after Berry performed her screen test, Murphy told Hudlin "well, that's it. There's no need to see the other two actresses because she's the part." Executives at Paramount Pictures were nervous about Robin Givens being cast in such a major role in the film, as she was disliked by many in the general public at the time because of her past relationship with Mike Tyson. Hudlin however, "thought that actually made her perfect for the role, that she was this formidable person, and a match for Eddie Murphy, who also had an intrepid reputation as a ladies' man. So, I wanted the audience to feel like this would be a fair fight."
David Alan Grier and Martin Lawrence were cast as Murphy's best friends in the film. At the time, Grier was well known for the show In Living Color. About him, Hudlin said, "I think he is an absolutely underrated genius. I think he is Steve Martin-level funny, and it's too bad more people don't know how to use his comic gift, because he is absolutely brilliant." Lawrence was brought on to the project after first working with Hudlin on House Party, which was his first major role in a film. Bebe Drake-Massey and John Witherspoon had played a couple in House Party, and were reunited for the film, this time playing the character Gerard's parents. Tisha Campbell also worked with Hudlin on House Party, and was brought on board to play Murphy's obnoxious, and somewhat obsessive, neighbor. While on the set, Hudlin would always rave about Campbell and Lawrence, and Murphy suggested Hudlin do a film with the two of them. Lawrence, who was developing his television show at the time, overheard the two actors talking, and decided to cast Campbell as his girlfriend and later wife, Gina, for his hit sitcom Martin.
Grace Jones was cast in a role that was essentially written as a parody of herself. Of her work ethic, Hudlin said that "she was always 100% committed, and would do the absolute craziest thing at any given time. She was absolutely perfect for the role. It was written for her, and she came in very humble, very sweet."
Eartha Kitt was the hardest person to cast for the film, as she was somewhat offended by her character's tone in the original script. Eventually she accepted the role, after some of the more tasteless jokes in the script were changed or removed. Hudlin however did say that "she was great to work with," and that "she really got into the spirit of it, and was a lot of fun."
Lela Rochon, who was known for her role in Murphy's 1989 film Harlem Nights, was brought back for a small role in Boomerang. Chris Rock, who was a protege of Murphy's, and had acted in small roles in a few other films at the time, was also given a bit part. The role of Lady Eloise's butler was played by Jonathan Hicks, a friend of the director's, who replaced a sick actor at the last minute. Hicks was a reporter for The New York Times, not an actor, and took the role as a favor to Hudlin.
Three of the actors in this film have starred in the James Bond 007 films. This includes Geoffrey Holder (Baron Samedi from the film Live and Let Die), Grace Jones (May Day from the film A View to a Kill), and Halle Berry (Giacinta "Jinx" Johnson from the film Die Another Day).
Filming
The majority of the film was shot in New York City during the winter. Although it was very cold, the director said that it was still "great to actually be in the city and get that authentic New York flavor." Most of the film was done on location as well. Interior scenes which took place at Marcus' workplace were shot in the old Univision building that had been repainted for production. The scene in Lady Eloise's bedroom was shot at the Boston Park Plaza, in a suite personally redesigned by Ivana Trump, which accounts for the unique styling. The scene of Strangé's introduction was filmed at the Winter Garden Atrium of Brookfield Place.
Although director Hudlin was willing to let his actors improvise, there were boundaries and rules to it, so that the jokes wouldn't lead to nowhere. He explained that once the actors "get a sense that someone will tell them if something doesn't work, or that we're getting too far afield, then they feel comfortable doing what they do. So, that's the balance that we struck."