The Colbert Report ( ) is an American late-night talk and news satire television program hosted by Stephen Colbert that aired four days a week on Comedy Central from October 17, 2005, to December 18, 2014, for 1,447 episodes. The show focused on a fictional anchorman character named Stephen Colbert, played by his real-life namesake. The character, described by Colbert as a "well-intentioned, poorly informed, high-status idiot", is a caricature of televised political pundits. The show also satirized conservative personality-driven political talk programs, particularly Fox News's The O'Reilly Factor. The Colbert Report is a spin-off of Comedy Central's The Daily Show, where Colbert was a correspondent from 1997 to 2005.
The program, created by Colbert, Jon Stewart, and Ben Karlin, lampooned current events and American political happenings. The show's structure consisted of an introductory monologue and a guest interview, in which the Colbert character attempts to deconstruct his opponent's argument. The show was taped in New York City's Hell's Kitchen neighborhood, and the program's set is "hyper-American", epitomizing the character's ego. The show was taped and broadcast Monday through Thursday, with weeks taken off at multiple points in a given year for breaks.
The Colbert Report saw immediate critical and ratings successes, leading to various awards, including multiple Emmy and Peabody Awards. The show's cultural influence often extended beyond the show's traditional viewing audience, including Colbert running for U.S. President twice, co-hosting a rally at the National Mall, presenting a controversial performance at the White House Correspondents' Dinner, and establishing a real Super PAC that raised over a million dollars. The show also inspired various forms of multimedia, including music and multiple best-selling books.
Background
The Colbert Report, hosted by a fictional anchorman character named Stephen Colbert, played by his real-life namesake, satirized conservative personality-driven political pundit programs like The O'Reilly Factor and Hannity on Fox News. The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop." His skits included "Waiters Who Are Nauseated by Food", and "Skinheads from Maine".
Colbert joined The Daily Show in 1997, a year following its launch, then hosted by Craig Kilborn. When Jon Stewart became the program's host in 1999, The Daily Show developed a markedly different style, bringing a sharper political focus to the humor than the show previously exhibited. Colbert recalled that Stewart specifically asked him to have a political viewpoint, and to allow his passion for issues to carry through into his comedy.
Colbert became a fixture on The Daily Show, occasionally hosting in Stewart's absence. In 2003, the program began running advertisements for a fictional program titled The Colbert Réport, starring Colbert as a parody of cable news pundits. When fellow Daily Show star Steve Carell left the show to pursue a film and television career, Comedy Central worked to keep Colbert at the network. Colbert pitched The Colbert Report to the channel in 2004. Stewart pushed Comedy Central to pick up the show, and Colbert was given an eight-week tryout. Following the show's immediate success, the show "quickly became a fixture in the late-night lineup." At its peak, the show averaged 1.5 million viewers each evening. The high viewership led the show to win multiple Emmy Awards, including Outstanding Variety Series in 2013 and 2014 followed by Outstanding Picture Editing for Variety Programming in 2015 even after Stephen Colbert had left the show.
The intensity of the fictional Colbert anchorman character was gradually toned down over the course of the show's run, as the host believed he would eventually need to move beyond it. He began to regard it as an act of discipline to perform as the character, later remarking, "to model behavior, you have to consume that behavior on a regular basis. It became very hard to watch punditry of any kind, of whatever political stripe." In 2010, Colbert testified in character before Congress on the issue of immigrant farm labor, drawing both praise and criticism for blending comedy and political activism. With his contract set to end in December 2014, he had already decided to leave the show when he was contacted by CBS to replace David Letterman as the host of The Late Show franchise. The show's ending was announced concurrently with Colbert's jump to CBS in April 2014. The last episode of the Report aired on December 18, 2014. The show was replaced on Comedy Central's late-night lineup by The Nightly Show with Larry Wilmore, another spinoff of The Daily Show.
The Colbert Report made a one-off return during a segment of The Late Show with Stephen Colbert on September 19, 2025, with "The Word" segment: "Shhhhhh..." in the context of the indefinite suspension of Jimmy Kimmel Live! by ABC.
History
Development
The character first made appearances on the short-lived sketch comedy series The Dana Carvey Show in 1996, described as "a self-important, trench-coated reporter who does on-location stories in a way that suggests his own presence is the real scoop."
When The Daily Show ran short on time, a short piece starring Colbert, advertising a fictional program titled The Colbert Réport, was added into the program. In these sketches, Colbert began to amplify his character to parody news pundits. Colbert anchored many sketches in his persona, including "Even Stepvhen", in which he debated current issues with fellow correspondent Steve Carell, often devolving into petty name-calling and insults. Colbert and Carell were viewed as potential breakout stars by staff, and when Carell left the series in 2004 to start an American version of The Office, Comedy Central made attempts to keep Colbert at the network. Stewart and Karlin were already looking to expand the Daily Show franchise and their production company, Busboy. The duo supposedly came up with the idea for The Colbert Report after watching coverage of the sexual harassment lawsuit filed against Bill O'Reilly. Colbert met with network president Doug Herzog the day following the 2004 Emmy Awards to first discuss the concept. The one-line pitch Colbert, Karlin and Stewart developed was "Our version of the O'Reilly Factor with Stephen Colbert." Herzog committed to an eight-week tryout period without a pilot.
By the time of the 2004 election, the character was fully developed. In creating the character, which is designed to be repellent but entertaining, Colbert conferred with Stewart and Karlin. In expressing his hope that his character not be "an asshole," Stewart remarked, "You're not an asshole. You're an idiot. There's a difference." Head writer Allison Silverman reiterated this trait in a later interview, commenting, "There is an essential innocence to his character." Colbert initially felt the character might not be sustainable in a longer format. Despite this, The Colbert Report was designed as an extension of the satiric goals of The Daily Show, combining it with general silliness and character-driven humor. To make sure there was no overlap in subject matter with The Daily Show, Karlin made trips between the studios during the show's early days to supervise scripts. For the first several years of the program, Colbert made an appearance at the end of each Daily Show in split-screen, having a short discussion with Stewart preceding his show.
Production
The show's writing was grounded in improv, employing a "yes to everything" mentality. Much of the humor derived from extended improv games with the show's studio and at-home audience, like Colbert's poll to name a bridge in Hungary after himself. Many of the writers had improv training and at one point put together "improv evenings" at the Upright Citizens Brigade Theatre once a month. The Report's writing staff was predominantly male and white; Colbert acknowledged this lack of diversity, but contended that he hired writers based solely on the quality of their material and had never looked at the names on writing packets submitted for employment. Subjects considered too dark were not even considered for comedic material; for example, the show would poke fun at press coverage of a tragedy, rather than the tragedy itself. Issues discussed on the show were later reported on actual newscasts, in turn allowing the show to comment on its own impact, creating an echo chamber of sorts. This led Colbert to describe his show, "at its purest expression, [as] a pebble that we throw into the puddle of the news, and then we report on our own ripples."
Ideas for each show were considered in the morning pitch meeting, which could range from "harrowing" to smooth. Described as having "demanding standards", Colbert is quoted as remarking, "Let's make it perfect and then cut it." Although dozens of ideas were either chosen for the show or deleted, other ideas, saved for a later date, were often forgotten because of the pace of news. Ideas with considerable potential were put in the "hopper" to be developed and rewritten, while more fully formed ideas were placed in the "pantry." Good jokes would still be sacrificed if they did not fit the character's specific point of view, which was deemed the inverse of what "any logical person" feels. At least one writer has described the job as "all-consuming", leaving no time for outside activities. Colbert himself eventually became withdrawn from morning meetings as the show continued on and he mulled a decision to leave.
Usually by 11 a.m., a rough outline for the show was completed and writers sent off in pairs to create scripts that would be polished throughout the day. First, writers would scan news articles for ideas and partner together in pairs, with one "keeping track of possible jokes." During an appearance at the New York Comedy Festival in 2013, some writers admitted to procrastinating until the last hour before rehearsal to complete their sections; Colbert confirmed that, in the program's early days, segments such as "The Word" were scripted entirely during the rewrite before rehearsal. Both writers read their dialogue aloud to see whether they thought the Colbert character would say it. As writers were working on their respective scripts, the show's production and graphics team compiled music, footage, and props needed for the show. To collect video clips, the show cross-referenced transcripts of hours and hours of archived TiVo recordings of news programs. In 2011, the show switched to Snapstream software, which streamlined the TV clip search and compilation process, allowing for searching closed captioning for select words. In addition, a group of staff coders and independent contractors developed Scripto software to collaborate on scripts in real time.