Born to Kill (1947 film)

Born to Kill (released in the U.K. as Lady of Deceit and in Australia as Deadlier Than the Male) is a 1947 RKO Pictures American film noir starring Lawrence Tierney, Claire Trevor and Walter Slezak with Esther Howard, Elisha Cook Jr., and Audrey Long in supporting roles. The film was director Robert Wise's first film noir production, preceding his later work on The Set-Up (1949) and The Captive City (1952).

Plot San Francisco socialite Helen Brent has established residence in Reno, Nevada to obtain a divorce decree and is lodging in a boarding house owned by the feisty Mrs. Kraft. Helen meets Laury Palmer, a next-door neighbor, and Mrs. Kraft's best friend, who confides that she has accepted a date with a man named Danny to incite jealousy in her new beau, Sam Wilde.

Sam sees them together that evening. Later, he enters Laury's house and confronts Danny. He bludgeons Danny to death and then kills Laury.

Helen discovers the bodies and flees to San Francisco, but does not contact the police. She meets Sam and is attracted to his self-assurance. Neither knows the other's part in the events. Back in Reno, Mrs. Kraft hires private detective Albert Arnett to find Laury's killer.

Several days later, Sam arrives unexpectedly at the mansion where Helen is living. It is owned by Georgia Staples, Helen's wealthy foster sister and the heir to her father's newspaper. Georgia finds Sam attractive, and Sam tells his friend Marty Waterman that he will marry Georgia for her money and the opportunity for higher social standing. Helen is distraught at their wedding.

Helen tells Sam that she loves her sister but hates her for her money, and then Sam kisses her. Marty has traveled to San Francisco for the wedding, and detective Arnett has tailed him there. After he interrogates the staff, Helen reveals information about Sam's activities.

Georgia and Sam fight over his demand to run the newspaper, as she knows that he has no relevant experience. However, he wants the job so that he can manipulate people. He says that Helen understands this because "your roots are down here where mine are" and that they are soulmates. After admitting to Helen that he has not married Georgia for love and, claiming that she has a similar relationship with her fiancé Fred Grover, Sam passionately kisses Helen.

After overhearing a call to Helen from Reno, Sam believes that she is plotting against him, but Helen secretly bribes Arnett to ignore Sam's role in the murders. After Mrs. Kraft travels to San Francisco to meet with Arnett, Marty visits her. He then visits and chats with Helen, but Sam becomes jealous after seeing him leaving her room. Marty arranges to meet Mrs Kraft at the dunes on the outskirts of town, supposedly to give her information about the murder, but just before Marty can stab her, Sam appears, accuses Marty of betraying him and, despite Marty insisting his talk with Helen was in support of Sam, kills him. Marty's last words are 'You're crazy.'

The police interrogate the household about Marty's murder, and Helen reluctantly provides an alibi for Sam. Helen meets with Mrs. Kraft, who now knows that Sam killed Laury, and threatens her life if she informs the police. A terrified Mrs. Kraft realizes that she must abandon the search for Laury's killer but spits on Helen as she departs.

Helen meets Sam and informs him that she will extract the money to pay Arnett from Fred. However, Fred cancels their engagement, accusing Helen of having lost her heart, and she panics. When Helen cannot pay Arnett, he tells her that the police will soon arrive for Sam. She reveals Sam's murders to Georgia, who refuses to believe her and realizes that Helen did not tell the truth about Sam until she had lost Fred. Georgia angrily accuses Helen of only loving her for her money. To demonstrate that Sam does not love Georgia, Helen ushers Georgia out of sight and kisses him as he enters the room. Helen exclaims to Sam that Georgia must be eliminated for them to be happy. The police arrive, and Georgia reveals that it was Helen who called them. Sam shoots Helen just before he is shot and killed by the police.

The next day, Arnett reads a newspaper headline announcing that Helen was killed by Sam.

Cast

Lawrence Tierney as Sam Wilde Claire Trevor as Helen Brent Walter Slezak as Albert Arnett Phillip Terry as Fred Grover Audrey Long as Georgia Staples Elisha Cook Jr. as Marty Waterman Isabel Jewell as Laury Palmer Esther Howard as Mrs. Kraft Kathryn Card as Grace Tony Barrett as Danny Grandon Rhodes as Inspector Wilson Martha Hyer as Maid (uncredited) Ellen Corby as Maid (uncredited) Jason Robards Sr. as Conductor (uncredited) Napoleon Whiting as Porter (uncredited)

Production Preproduction for the film began in early February 1945, more than two years before its release. RKO hired author Steve Fisher to write a screenplay based on James Gunn's 1943 novel Deadlier Than the Male.Bell, Thalia. "Hollywood", Motion Picture Daily, February 6, 1945, p. 9. Internet Archive. Retrieved September 17, 2020.Spear, Irving. News item under "Clarence Brown Set to Produce 'Guardian Angel' for Metro", Boxoffice (Kansas City, Missouri), February 10, 1945, p. 36. Internet Archive. Retrieved September 17, 2020. By April the studio had replaced Fisher and enlisted screenwriters Eve Greene and Richard Macaulay to compose the script as a team and to manage it through production."26 Writers at RKO Busy on Scripts of 20 Productions", The Showmen's Trade Review, April 28, 1945, p. 68. Internet Archive. Retrieved September 17, 1945."Deadlier Than the Male", Boxoffice Barometer (a supplement published by Boxoffice), November 1946, p. 196. Internet Archive. Retrieved September 17, 2020.

Casting began in August 1945 and Lawrence Tierney was RKO's first choice following his powerful performance in Dillinger, released four months earlier."Riding Herd on the Studio News Range", The Film Daily, August 29, 1945, p. 8. Internet Archive. Retrieved September 17, 2020. Although RKO wanted Tallulah Bankhead for the role of Helen Brent, she was unavailable. In January 1946, the part went to Claire Trevor, whose work in the previous year's Murder, My Sweet had impressed studio executives."RKO-RADIO", The Film Bulletin, October 15, 1945, p. 26. I.A. Retrieved September 17, 2020. The working title of the project was still Deadlier Than the Male, which appeared in a series of official release charts."RKO Inks Claire Trevor", Variety (New York, N.Y.), January 30, 1946, p. 8; "Production Notes From The Studios", Showmen's Trade Review, February 2, 1946, p. 29. Retrieved September 20, 2020. RKO did not officially change the title to Born to Kill for domestic release until December 1946.

Filming began on May 6, 1946, with exterior scenes shot first on location at El Segundo Beach"RKO Sets Two Films", Showmen's Trade Review, May 4, 1946, p. 42; "RKO Busiest Lot in Town", Showmen's Trade Review, May 25, 1946, p. 38. Internet Archive. Retrieved September 18, 2020. and later in San Francisco. As early as July, it was reported that the film was ready to be scheduled for release."Ready for Release Dates", The Film Daily, July 3, 1946, p. 8. Internet Archive. Retrieved September 17, 2020. These notices proved premature because the studio experienced delays in arriving at a satisfactory final cut. In October 1946, RKO announced that scheduled November 7 previews at a national trade show and at exchange centers were being postponed."RKO Tradeshow Off", Motion Picture Daily, October 28, 1946, p. 3. Internet Archive. Retrieved September 16, 2030. A general release date of November 10, 1946 was postponed as well."THE RELEASE CHART / Deadlier Than the Male...", "Product Digest Section" of Motion Picture Herald, October 19, 1946, p. 3266. Retrieved September 17, 2020.

Postproduction problems persisted until the final weeks before the film's distribution to theaters."RKO-RADIO Release Chart / Born to Kill...", Film Bulletin, February 17, 1947, p. 31. Retrieved September 17, 2020.

Themes Born to Kill is a rare film noir in that it is shown through a woman's eyes. This female subjectivity enables a more nuanced view of the femme fatale, a central motif in film noir, rather than that which is typical of the genre. Although the archetypical film noir femme fatale's sexuality is often merely a tool to manipulate men for material gain, Helen is a more complicated figure. She is drawn to Sam's brutality although she is also interested in Fred's money. Instead of leading the male protagonist into darkness and ruin, she is compromised by Sam.

Release On the day before the film's official release, Tierney made headlines for his involvement in a drunken brawl and for violating probation related to an earlier conviction for public drunkenness."Tierney Fights Brother; Gets 90 Days In Jail", Los Angeles Times, May 2, 1947, p. 2. ProQuest Historical Newspapers, Ann Arbor, Michigan; subscription access through the University of North Carolina at Chapel Hill Library."'Dillinger' Tierney In Trouble Again", The Atlanta Constitution, May 2, 1947, p. 1. ProQuest. Tierney's frequent off-screen troubles also attracted greater scrutiny of his films by state review boards and local censors, some of which sought to ban Born to Kill in their communities.

Censors in places such as Ohio, Chicago and Memphis rejected the film."Ohio's Censors Reject RKO's 'Born to Kill'", The Film Daily (New York, N.Y.), April 19, 1947, p. 4. Internet Archive. Retrieved September 14, 2020."'Born to Kill' Barred From Ohio by Censors", Showmen's Trade Review, April 12, 1947, p. 8."'Born to Kill' Joins Memphis Banned Pix", The Film Daily, April 25, 1947, pp. 1, 3. Internet Archive; "Memphis Bans Another Film", The New York Times, April 25, 1947, p. 29. ProQuest. The National Legion of Decency considered the film objectionable for its acceptance of divorce but did not condemn the film outright."Legion of Decency Reviews Five New Productions", The Motion Picture Herald, May 17, 1947, p. 44. Internet Archive. Retrieved September 13, 2020.

Although some industry publications predicted box-office success for the film,Jewell, Richard B. (2016) Slow Fade to Black: The Decline of RKO Radio Pictures, Berkeley, California: University of California Press. RKO production head Dore Schary publicly distanced the studio from the film just days after its release. Schary vowed to lessen the "arbitrary use of violence" in RKO films"Good Story Material Scarce", Motion Picture Herald, May 10, 1947, p. 19. Internet Archive. Retrieved September 13, 2020. and pledged that the studio would no longer produce "gangster pictures" such as Born to Kill."Films of Violence Abandoned: Schary", Motion Picture Daily (New York, N.Y.), May 6, 1947, pp. 1, 6. Internet Archive. Retrieved September 13, 2020."Reaction to 'Born to Kill' Will Affect New RKO Product—Schary", Showmen's Trade Review, May 10, 1947. pp. 5, 18. RKO reported a net loss of $243,000 after the film's initial run.

The furor regarding Born to Kill and the same year's Shoot to Kill prompted the Motion Picture Association of America (MPAA) to revise its Production Code to strengthen restrictions relating to crime films."MPA Strengthens Code on Titles And Crime Films", Motion Picture Herald, December 6, 1947, p. 20."Code Changes Hit Reissue of 14 Films", The Motion Picture Daily, December 5, 1947, pp. 1, 4. Retrieved September 27, 2020. At a meeting of its board of directors on December 3, 1947, the MPAA voted to bar 14 "'objectionable and unsuitable'" films released between 1928 and 1947 from theatrical reissue, including Born to Kill."Movie Makers Bar Glorifying Crime", The New York Times, December 4, 1947, p. 64. The MPAA also approved the immediate deletion from its official title registry of more than two dozen films with titles deemed "salacious or indecent."