Francesco Bagnara (1784 in Vicenza – 21 October 1866 in Venice) was an Italian scenographer, decorator and landscape architect.
Biography
Francesco Bagnara came from a poor family and began work as a decorative room painter. Thanks to the interest of a local noble family (the Angarans), he was able to go to Venice, where he studied with Giuseppe Borsato and helped him paint decorations for the .Brief biography from the Dizionario Biografico @ Treccani. Around 1812, with the financial assistance of the Papadopoli family, he was able to open his own studio. He was later to design the Papadopoli Garden, for Count Spiridione Papadopoli."Etude historique et paysagère du jardin Papadopoli-Venise", Jardins d'Histoire
His first clients were the and the , and later became the official designer at La Fenice.Carter, Tim. Understanding Italian Opera, Oxford University Press, 2015, p. 152 During this period, he designed sets for several now-famous operas by Gioachino Rossini."Teatro La Fenice Archivio storico", Fondazione Teatro La Fenice
He also supplied decorations for provincial theaters. Because they generally could not afford full new sets for each production, he created a series of scenarios (about a dozen) that could be easily readapted for the occasion. None of these survive, but albums of watercolor sketches have been preserved at the .
In addition to his theater work, he decorated churches and palaces and designed gardens featuring mounds, lakes, bridges and faux ruins; after the style of Giuseppe Jappelli. His most notable work was at the Giardini Papadopoli, although much of it was later destroyed to create an extension for the bus terminal at the . From 1838 to 1854, he was a professor of landscaping at the Accademia di Belle Arti.Senici, Emanuele. The Cambridge Companion to Rossini, Cambridge University Press, 2004, p. 243, n.12 He contributed to the design of the garden at the Villa Parco Bolasco in Treviso."Villa Parco Bolasco", University of Padua
Beginning in a Neo-Classical style, he gradually adopted Romanticism. He was known for his lack of concern for historical veracity, once having set in what looked like a Roman forum (instead of an Italian village), for example. Occasionally, he used machines to create theatrical effects; notably at a festival celebrating the coronation of Ferdinand I of Austria in 1835. According to his official obituary, he created over 1,100 scenarios.
References
Further reading Maria Ida Biggi, Francesco Bagnara, scenografo alla Fenice : 1820-1839, Marsilio, series: L'immagine e la scena, 1996
External links