Sir Martin Louis Amis (25 August 1949 – 19 May 2023) was an English novelist, essayist, memoirist, screenwriter and critic. He is best known for his novels Money (1984) and London Fields (1989). He received the James Tait Black Memorial Prize for his memoir Experience and was twice listed for the Booker Prize (shortlisted in 1991 for Time's Arrow and longlisted in 2003 for Yellow Dog). Amis was a professor of creative writing at the University of Manchester's Centre for New Writing from 2007 until 2011. In 2008, The Times named him one of the 50 greatest British writers since 1945.
Amis's work centres on the excesses of late capitalist Western society, whose perceived absurdity he often satirised through grotesque caricature. He was portrayed by some literary critics as a master of what The New York Times called "the new unpleasantness.”Stout, Mira. "Martin Amis: Down London's mean streets" (), The New York Times, 4 February 1990. He was inspired by Saul Bellow and Vladimir Nabokov, as well as by his father Kingsley Amis. Amis influenced many British novelists of the late 20th and early 21st centuries, including Will Self and Zadie Smith."Martin Amis" (), The Guardian, 22 July 2008.
His stylistic innovations – marked by ironic detachment, baroque sentence structures, and postmodern narrative experimentation – shaped a generation of British writers. His novels are often credited with revitalizing the comic novel in late 20th-century Britain.
Amis died from oesophageal cancer at his house in Florida in 2023. A. O. Scott wrote in The New York Times after his death: "To come of reading age in the last three decades of the 20th century – from the oil embargo through the fall of the Berlin Wall, all the way to 9/11 – was to live, it now seems clear, in the Amis Era."
Early life and education Martin Louis Amis was born on 25 August 1949 at Radcliffe Maternity Hospital in Oxford, England. His father, novelist Kingsley Amis, was the son of a mustard manufacturer's clerk from Clapham, London; his mother, Kingston upon Thames-born Hilary ("Hilly") Ann Bardwell, was the daughter of a Ministry of Agriculture civil servant. He had an elder brother, Philip; his younger sister, Sally – for whose birth Philip Larkin composed "Born Yesterday" – died in 2000 at the age of 46. His parents married in 1948 in Oxford. The following year the family moved to Swansea where he would spend his childhood years, his father having taken up a lectureship at Swansea University. The acclaim that followed his father's first novel Lucky Jim (1954) sent the family to Princeton, New Jersey, in the United States, where his father lectured for a year.
Amis attended a number of schools in the 1950s and 1960s, including an international school in Mallorca, Bishop Gore School in Swansea, and Cambridgeshire High School for Boys, where he was described by one headmaster as "unusually unpromising" and in London at the Sir Walter St John's Grammar School for Boys from which he was expelled for truancy.
His parents' marriage ended in divorce in 1965, precipitated by his father’s well-established relationship with the novelist Elizabeth Jane Howard, whom he married later the same year. They had set up house in the Maida Vale area of London and were part of a “literary bohemia”Inside Story (2020) p. 12 which formed the backdrop to Amis’s largely unsupervised and dissolute adolescence. In 1968 the household relocated to the Lemmons, a Georgian villa in Barnet on the outskirts of London. His father said Amis was not a bookish child and "read nothing but science fiction till he was fifteen or sixteen".
He did, however, form a positive relationship with his step-mother having become, at her behest, part of the household, moving away from the chaotic living arrangements in his mother’s house. Her friendship with the film director Alexander Mackendrick led to the young Amis being chosen in 1965 to play the part of John Thornton in the film version of Richard Hughes's A High Wind in Jamaica And in order to enhance his prospects of a university education, she provided him with reading recommendations (she introduced him to Jane Austen, whom he often named as his earliest influence) and arranged a place for him at Sussex Tutors, a crammer boarding school in Brighton where he gained the required O- and A-level qualifications for sitting the University of Oxford entrance examination.
He graduated from Exeter College, Oxford, with a congratulatory first in English, "the sort where you are called in for a viva and the examiners tell you how much they enjoyed reading your papers".
After graduating from Oxford in 1971, Amis wrote reviews of science-fiction novels under the nom de plume "Henry Tilney" (a nod to Austen) in a column for The Observer. He found an entry-level job at The Times Literary Supplement by the summer of 1972. At the age of 27, he became literary editor of the New Statesman, where he cited writer and editor John Gross as his role model, and met Christopher Hitchens, then a feature writer for The Observer, who remained Amis's closest friend until his death in 2011.
Early writing According to Amis, his father was deeply critical of certain aspects of his work. "I can point out the exact place where he stopped [reading Amis's novel Money] and sent it twirling through the air; that's where the character named Martin Amis comes in." Kingsley complained: "Breaking the rules, buggering about with the reader, drawing attention to himself."
His first novel The Rachel Papers (1973) – written at Lemmons, the family home in north London – won the Somerset Maugham Award.Bradford (2011) Martin Amis: The Biography, Little, Brown Book Group, "Before He Left". It tells the story of a bright, egotistical teenager and his relationship with the eponymous girlfriend in the year before going to university; It has been described as "autobiographical" and was made into an unsuccessful 1989 film.
Dead Babies (1975), more flippant in tone, chronicles a few days in the lives of some friends who convene in a country house to take drugs. A number of Amis's writerly characteristics show up here for the first time: mordant black humour, obsession with the zeitgeist, authorial intervention, a character subjected to sadistically humorous misfortunes and humiliations, and a defiant casualness ("my attitude has been, I don't know much about science, but I know what I like"). A film adaptation was made in 2000, which Guardian film critic Peter Bradshaw described as "boring, embarrassing, nasty and stupid – and not in a good way".
Success (1977) told the story of two foster-brothers, Gregory Riding and Terry Service, and their rising and falling fortunes. This was the first example of Amis's fondness for symbolically "pairing" characters in his novels, which has been a recurrent feature in his fiction since (Martin Amis and Martina Twain in Money, Richard Tull and Gwyn Barry in The Information, and Jennifer Rockwell and Mike Hoolihan in Night Train). During this period, because producer Stanley Donen detected an affinity between his story and the "debauched and nihilistic nature" of Dead Babies, Amis was invited to work on the screenplay for the science-fiction film Saturn 3 (1980). The film was far from a critical success, but Amis was able to draw on the experience for his fifth novel, Money, published in 1984.
Other People: A Mystery Story (1981) – the title is a reference to Sartre's Huis Clos – is about a young woman coming out of a coma. It was a transitional novel in that it was the first of Amis's to show authorial intervention in the narrative voice, and highly artificed language in the heroine's descriptions of everyday objects, which was said to be influenced by his contemporary Craig Raine's "Martian" school of poetry. It was also the first novel Amis published after committing to being a full-time writer in 1980.
Main career
1980s and 1990s Amis's best-known novels are Money, London Fields and The Information, commonly referred to as his "London Trilogy".Stringer, Jenny. Martin Amis , The Oxford Companion to Twentieth-century Literature in English. Oxford University Press, 1996. Although the books share little in terms of plot and narrative, they all examine the lives of middle-aged men, exploring the sordid, debauched, and post-apocalyptic undercurrents of life in late 20th-century Britain. Amis's London protagonists are anti-heroes: they engage in questionable behaviour, are passionate iconoclasts, and strive to escape the apparent banality and futility of their lives. Amis wrote, "The world is like a human being. And there's a scientific name for it, which is entropy – everything tends towards disorder. From an ordered state to a disordered state."McGrath, Patrick "Martin Amis" , Bomb, Winter, 1987.
Money (1984, subtitled A Suicide Note) is a first-person narrative by John Self, advertising man and would-be film director, who is "addicted to the twentieth century". "[A] satire of Thatcherite amorality and greed","Martin Amis" , British Council: Literature. Retrieved 12 January 2016. the novel relates a series of black comedic episodes as Self flies back and forth across the Atlantic, in crass and seemingly chaotic pursuit of personal and professional success. Time included the novel in its list of the 100 best English-language novels of 1923 to 2005.Lev Grossman and Richard Lacayo. "All Time 100 Novels", Time, 2005. On 11 November 2009, The Guardian reported that the BBC had adapted Money for television as part of its early 2010 schedule for BBC 2.<ref name="guardian.co.uk"></ref> Nick Frost played John Self, and the adaptation also featured Vincent Kartheiser, Emma Pierson and Jerry Hall. The adaptation was written by Tom Butterworth and Chris Hurford. After the transmission of the first of the two parts, Amis was quick to praise the adaptation, stating: "All the performances [were] without weak spots. I thought Nick Frost was absolutely extraordinary as John Self. He fills the character. It's a very unusual performance in that he's very funny, he's physically comic, but he's also strangely graceful, a pleasure to watch ... It looked very expensive even though it wasn't and that's a feat ... The earlier script I saw was disappointing [but] they took it back and worked on it and it's hugely improved. My advice was to use more of the language of the novel, the dialogue, rather than making it up."Wightman, Catriona (25 May 2010). "Martin Amis praises Money adaptation" , Digital Spy.
London Fields (1989), Amis's longest and "most London" novel, describes the encounters between three main characters in London in 1999, as a climate disaster approaches. The characters have typically Amisian names and broad caricatured qualities: Keith Talent, the lower-class crook with a passion for darts; Nicola Six, a femme fatale who is determined to be murdered; and upper-class Guy Clinch, "the fool, the foil, the poor foal" who is destined to come between the other two.