Donald Harris (April 7, 1931, in St. Paul, Minnesota March 29, 2016, in Columbus, Ohio) was an American composer who taught music at Ohio State University for 22 years. He was Dean of the College of the Arts from 1988 to 1997.

Harris earned a bachelor's degree and a master's degree in music from the University of Michigan. He completed further studies at the Tanglewood Music Center and the Centre Français d'Humanisme Musical in Aix-en-Provence. He studied with Ross Lee Finney, Max Deutsch, Nadia Boulanger, Boris Blacher, Lukas Foss, and André Jolivet. He founded the Contemporary Music Festival at Ohio State in 2000. Prior to joining the faculty at Ohio State, he served on the faculties and as an administrator of the New England Conservatory of Music and the Hartt School of Music. From 1954 to 1968, Harris lived in Paris, where he served as music consultant to the United States Information Agency and produced the city's first postwar Festival of Contemporary American Music.The Ohio State University Archives, Donald Harris Collection (RG: 40/292) A documentary about Harris entitled Sonata 1957 was produced by Daniel Beliavsky through opus1films in 2011. It explores Harris's development in mid-20th-century Paris, when pre-war musical thought bridged with post-war experimentation.

Works Stage works The Legend Of John Henry (1954) ballet for orchestra The Golden Deer (1955) ballet for orchestra Intervals (1959) dance work for chamber ensemble

Other Piano Sonata (1957) publication: Société des Editions Jobert, Paris, 1965; recordings: Geneviève Joy, piano, Recording for the French Radio, 1961; Veronica Jochum von Moltke, piano, New England Conservatory Recording Series, Vol. 7: Schumann, Harris, and Porter Golden Crest NEC-107, 1971; Daniel Beliavsky, piano, recorded at the City College of New York, 2010 Fantasy For Violin & Piano (1957) publication: Jobert, Paris, 1965; recordings: Paul Zukovsky, violinist, Gilbert Kalish, pianist, CRI¬ S-307, 1973; reissued as CRI CD-666, 1994; Hasse Borup, violinist, Mary Kathleen Ernst, pianist, Centaur 2918, 2008 Symphony In Two Movements (1958–1961) publication: Jobert, Paris, 1965 String Quartet (1965) publication: Jobert, Paris, 1965; recording: Composers String Quartet, CRI-274, 1972; reissued as CRI CD-666, 1994 Ludus (1966) for ten instruments publication: Jobert, Paris, 1968; recording: Saint Paul Chamber Orchestra, Sydney Hodkinson, cond., CRI S-274, 1972; reissued as CRI-CD 666, 1994 Ludus II (1973) for five instruments publication: Jobert, Paris, 1974; recording: Boston Musica Viva, Richard Pittman, conductor, DELOS 25406, 1975; reissued as CD 1011, 1987 On Variations (1976) for chamber orchestra publication: Jobert, Paris, 1979 Charmes (1971–1980; unfinished) for soprano and orchestra; after the poems of Paul Valéry For The Night To Wear (1978) for mezzo-soprano and chamber ensemble; after the Hortense Flexner poem publication: Theodore Presser, Bryn Mawr, Pennsylvania, 1983; recording: Janice Meyerson, Boston Musica Viva, Richard, Pittman, cond., CRI CD-666, 1994 Balladen (1979) for solo piano publication: Theodore Presser, Bryn Mawr, Pennsylvania, 1983; recording: Veronica Jochum, CRI CD-666, 1994 Of Hartford In A Purple Light (1979) for soprano with piano accompaniment; after the Wallace Stevens poem publication: Theodore Presser, Bryn Mawr, Pennsylvania, 1979; recording: Susan Davenny Wyner, soprano, Yehudi Wyner, piano, CRI CD-666, 1994 Prelude To A Concert In Connecticut (1981) for orchestra Les Mains (1983) for mezzo-soprano with piano accompaniment; after the Marguerite Yourcenar poem publication: Theodore Presser, Bryn Mawr, Pennsylvania, 1986; recording: Janice Meyerson, mezzo-soprano, Hugh Hinton, piano, CRI CD-666, 1994 Meditations (1984) for solo organ, commissioned by the South Congregational-First Baptist Church, New Britain, Connecticut, and its organist and music director, Richard Coffey, to honor the 10th anniversary of the Cooper Memorial Organ. Includes memorials to Thomas Putsche (Ralph Vaughan Williams' Sine Nomine) and Norman Dinerstein (Kol Nidre).publication: Gunmar Music Inc, 1990 Three Fanfares For Four Horns (1984) publication: Gunmar Music Inc.1990 Canzona & Carol (1986) for double brass quintet and timpani publication: Gunmar Music, Inc.1990 Pierrot Lieder (1988) for soprano and chamber ensemble; after the Albert Giraud poempublication: Gunmar Music Inc. 1990; recording: Lucy Shelton, OSU Faculty Ensemble, Craig Kirchhoff, cond., CRI CD-666, 1994 Mermaid Variations (1992) for chamber orchestra publication: Theodore Presser, Bryn Mawr, Pennsylvania, 1996; recording: Cleveland Chamber Symphony, Edwin London, cond., CRI CD-666, 1994 String Quartet #2 (2002) A Lyric Fanfare (2003) for orchestra publication: Theodore Presser, Bryn Mawr, Pennsylvania, 2002 Five Tempi (Ludus III) (2004) for chamber ensemble Symphony No. 2 (2006–11) for large orchestra; co-commissioned by the Koussevitzky Music Foundation and Columbus Symphony Orchestrapublication: Theodore Presser, Bryn Mawr, Pennsylvania, 2012 Kaleidoscope (2007) for orchestra

Awards and honors Harris was awarded a Fulbright Award in 1956, the Prince Rainier III of Monaco Composition Award in 1962 (deuxieme mention), a Guggenheim Fellowship in 1966, a National Endowment for the Arts Fellowship Grant in Composition in 1974, the A.C. Fuller Award of the Julius Hartt Musical Foundation in 1988, and the ASCAP/Deems Taylor Award in 1989 (for co-editing The Berg Schoenberg Correspondence In collaboration with Christopher Hailey and Juliane Brand, W. W. Norton & Co., New York, 1987). He received commissions with the Serge Koussevitzky Music Foundation (Library of Congress), Elizabeth Sprague Coolidge Foundation (Library of Congress), St. Paul Chamber Orchestra, Radio France, Cleveland Orchestra, Goethe Institute (Boston), Boston Musica Viva, Connecticut Public Radio, Cleveland Chamber Symphony, Arnold Schoenberg Institute, and Festival of Contemporary American Music at Tanglewood. In 1991, he received an award in composition from the American Academy of Arts and Letters, which led to a retrospective recording of his work on the CRI label in 1994. In 2011, he was the featured composer of the Ohio State University Contemporary Music Festival, a festival which he founded. The King Arts Complex honored him with a Legends & Legacies award in October 2011. He received an honorary Doctor of Music degree from Ohio State in June 2012.

Further reading Organization of American States, Composers of the Americas, Vol. 18, 1972 Contemporary American Composers Based or Affiliated with Colleges and Universities, 1975 Contemporary American Composers: A Biographical Dictionary, 1976 Baker's Biographical Dictionary of Musicians, New York, 1978 Introduction to Contemporary Music (Joseph Machlis), second edition, W. W. Norton, 1979 ASCAP Biographical Dictionary, Fourth Edition, 1980 American Music Recordings, A Dictionary of 20th Century U.S. Composers, 1982 American Composers, A Biographical Dictionary, by David Ewen, 1982 Harvard Biographical Dictionary of Music, Harvard University Press, 1996

References

External links Donald Harris's page at Theodore Presser Company School of Music The Ohio State University Donald Harris / Composer, Teacher & Musicologist musicweb-international.com Interview with Donald Harris, November 20, 1988