The Aubrey–Maturin series is a sequence of nautical historical novels—20 completed and one unfinished—by English author Patrick O'Brian, set during the Napoleonic Wars and centring on the friendship between Captain Jack Aubrey of the Royal Navy and his ship's surgeon Stephen Maturin, a physician, natural philosopher, and intelligence agent. The first novel, Master and Commander, was published in 1969 and the last finished novel in 1999. The 21st novel of the series, left unfinished at O'Brian's death in 2000, appeared in print in late 2004. The series received considerable international acclaim, and most of the novels reached The New York Times Best Seller list. These novels comprise the heart of the canon of an author often compared to Jane Austen, C. S. Forester and other British authors central to English literature.
The 2003 film Master and Commander: The Far Side of the World drew from three books in the series. Russell Crowe played the role of Jack Aubrey, and Paul Bettany that of Stephen Maturin.
Development Patrick O'Brian's The Golden Ocean (1956) and The Unknown Shore (1959) both depict fictional pairs of young men, loosely based on real seamen, who participate in George Anson's voyage around the world. In these two novels, O'Brian began to develop the models for the characters of Aubrey and Maturin as well as the storytelling techniques used in the series.
Series
Novels in order of first publication
Master and Commander (1969) Post Captain (1972) HMS Surprise (1973) The Mauritius Command (1977) Desolation Island (1978) The Fortune of War (1979) The Surgeon's Mate (1980) The Ionian Mission (1981) Treason's Harbour (1983) The Far Side of the World (1984) The Reverse of the Medal (1986) The Letter of Marque (1988) The Thirteen-Gun Salute (1989) The Nutmeg of Consolation (1991) Clarissa Oakes (1992) – (The Truelove in the US) The Wine-Dark Sea (1993) The Commodore (1995) The Yellow Admiral (1996) The Hundred Days (1998) Blue at the Mizzen (1999) The Final Unfinished Voyage of Jack Aubrey (2004) – (21 in the US)
Internal chronology O'Brian's books were written and published in the same chronological sequence as the events they describe, beginning with Master and Commander, set in 1800, and carrying through to the final novel, set in late 1815 after the Battle of Waterloo.
However, they do not strictly follow history. The first six books quickly move through twelve years of the Napoleonic Wars, as established by frequent reference to historical events, with The Fortune of War ending on 1 June 1813 with the battle between HMS Shannon and USS Chesapeake. The series then enters a kind of fantasy-time in which it takes another dozen novels to progress to November 1813. Much of this period is spent at sea, with little or no connection to real-world years, and the events of the novels take up substantially more time than the few months 'available'. External historical reference returns with The Yellow Admiral, the 18th book in the series. Towards the beginning of this novel, it is stated that the British army under the Duke of Wellington has entered France from Spain, which occurred in November 1813. Time is then paused again for a few chapters, as a narrative apparently lasting several months ensues before a specific arrival at Christmas 1813. Thereafter, the book and the next in the series (The Hundred Days) move swiftly through the historical events of Napoleon's disastrous invasion of Russia and his defeat in the War of the Sixth Coalition, his exile and escape from Elba, and his final campaign and defeat in June 1815. The last completed book in the series, Blue at the Mizzen, is the only volume which is set entirely after the conclusion of the Napoleonic Wars.
In his introduction to The Far Side of the World, the 10th book in the series, O'Brian wrote that if the author "had known how many books were to follow the first, he would certainly have started the sequence much earlier" in real historical time. He goes on to explain that "if his readers will bear with him", books of the series will be set in "hypothetical years, rather like those hypothetical moons used in the calculation of Easter: an 1812a as it were or even an 1812b".From the introduction to The Far Side of the World In effect, the period from June to December 1813 is stretched out to accommodate events that ought to occupy five or six years.
Characters
The series focuses on two main characters, naval officer Jack Aubrey and physician, naturalist, and spy Stephen Maturin, and the ongoing plot is structured around Aubrey's ascent from lieutenant to rear admiral in the Royal Navy during the French Revolutionary and Napoleonic Wars.
Jack Aubrey is a large man (both literally and figuratively) with an energetic, gregarious, cheerful, and relatively simple personality and a deep respect for naval tradition. Remarkable early success earned him the nickname "Lucky Jack Aubrey" and a reputation as a "fighting captain", a reputation which he sought to retain throughout his career. But while frequently "brilliant" and much respected at sea, he is less competent on land, as indiscreet liaisons, impertinent remarks, and poor financial decisions often bring him trouble. Aubrey's professional life of daring exploits and reverses was inspired by the chequered careers of Thomas Cochrane and other notable captains of the Royal Navy from the period.
Irish-Catalan Dr. Stephen Maturin ostensibly serves as an adept ship's surgeon on Aubrey's various commands. However, unknown to many of his associates, he also serves as a particularly skilled volunteer intelligence agent for the British Admiralty. Maturin is described as a small, quiet, "ugly" man who is known to cast a "dangerous, pale, reptilian eye" towards his enemies. Unlike his action-oriented friend, Maturin is very well-educated with several intellectual pursuits. He is passionately fascinated by the natural world, and takes every opportunity to explore the native wildlife of his ships' ports of call around the world. He is also deeply introspective, and frequently muses on philosophical concepts of identity and self-understanding in his ciphered personal journal. Another aspect of this complex character is portrayed by his long-lasting and frequently frustrating romantic pursuit of the beautiful but unreliable Diana Villiers. He uses several addictive substances, including laudanum and coca leaves, arising from scientific curiosity, control of his reactions to physical problems, and substance dependence. He has the values of a gentleman of the era, including a strong sense of honour and involvement in duels. The latter led him to develop a strong skill with pistols and duelling by swords.
Maturin's various professional roles and personal interests allow the series to leave the sea and explore different aspects of the political and social order during the Napoleonic Era. Eventually, Maturin upstages Aubrey in character development within the series due to the diverse situations in which O'Brian can place him.
On the surface, the two main characters have little in common. As O'Brian wrote in The Ionian Mission, "Although (they) were almost as unlike as men could be, unlike in nationality, religion, education, size, shape, profession, habit of mind, they were united in a deep love for music, and many and many an evening had they played together, violin answering cello or both singing together far into the night." This musical connection began in the first paragraph of the first book in the series, when the two characters meet at a concert. They also share a delight in puns and dry witticisms, and particularly memorable wordplay is sometimes repeated in subsequent novels in the series, years later in book-time. One character in the novel, Sir Joseph Blaine, saw the two friends as romantics, in his remarks on Maturin in HMS Surprise Chapter 4: "As I was saying, strong; but not without his weaknesses. He was blaming his particular friend for romantic notions the other day – the friend who is to marry the daughter of that woman we saw just now – and if I had not been so shocked by his condition, I should have been tempted to laugh. He is himself a perfect Quixote: an enthusiastic supporter of the Revolution until '93; a United Irishman until the rising, Lord Edward's adviser ... And now Catalan independence. Or perhaps I should say, Catalan independence from the beginning, simultaneously with the others. But always heart and soul, blood and purse in some cause from which he can derive no conceivable personal benefit."
Despite their many differences, the pair are invaluable and indispensable companions throughout many years of adventure and danger. Reviewers have compared Aubrey and Maturin to other seemingly mismatched yet inseparable fictional duos such as Don Quixote and Sancho Panza in Don Quixote, Holmes and Watson in the Sherlock Holmes stories, and Kirk and Spock in the original Star Trek TV series.
Style
The stories are primarily told in the third person from the points of view of the two main characters, Jack Aubrey and Stephen Maturin. The author sometimes employs a form of first-person narrative when his characters write in private journals or letters about events that are not otherwise described. The narrative point of view strays from the two main characters only briefly and seldom over the course of the series. One example is the opening scene of The Hundred Days, in which a gossipy conversation between anonymous sailors imparts important news and information about the main characters.
Period language and naval jargon Patrick O'Brian once wrote, "Obviously, I have lived very much out of the world: I know little of present-day Dublin or London or Paris, even less of post-modernity, post-structuralism, hard rock or rap, and I cannot write with much conviction about the contemporary scene." This becomes obvious for readers of the Aubrey–Maturin Series, as he adopts a narrative voice contemporary with their setting. Richard Ollard, in examining the general reception to O'Brian's books, suggests that O'Brian's naval officers would be able to talk with and recognise Jane Austen's characters.
In addition to the period language, O'Brian is adept at using naval jargon with little or no translation for the "lubberly" reader. The combination of the historical-voice narration and naval terms may seem daunting at first to some readers; but most note that after a short while a "total immersion" effect results. Occasionally, O'Brian explains obscure nautical terms by placing Stephen Maturin into the tutelage of seamen, allowing the author to vicariously teach the reader about various parts and functions of a period sailing vessel without breaking from the narrative. This was especially common early in the series, when Maturin was still new to the Royal Navy.
In the first of the series, during a tour of the rigging, Maturin asks his guide if he "could not explain this maze of ropes and wood and canvas without using sea-terms" and receives the reply "No, for it is by those names alone that they are known, in nearly every case".M&C, Page 58
Also, O'Brian often addresses the historical events and themes within his books indirectly, allowing a fuller immersion for his readers without flaunting his historical understanding, unlike other similar nautical authors.
Humour