List of concert arias, songs and canons by Wolfgang Amadeus Mozart

This is a list of concert arias, songs and canons by Wolfgang Amadeus Mozart.

Concert arias Soprano K1K6Composition, score and critical report (NMA)LibrettistDate23 Aria for soprano and orchestraMetastasio,Artaserse I,1October 17657061cRecitative and aria (Licenza) for soprano and orchestraunknown28 February 1767 or 1769 74bAria for soprano and orchestraMetastasio,Demofoonte I,7early 17717773eRecitative and aria for soprano and orchestraMetastasio,Demofoonte III, 4&512 March 17707873bAria for soprano and orchestraMetastasio,Artaserse I,51766, or Count Firmian's audition party, Milan, 12 March 17707973dRecitative and aria for soprano and orchestraMetastasio,Artaserse II,111766, or Count Firmian's audition party, Milan, 12 March 1770deestKV9 646 Aria for soprano and orchestraunknown17698273oAria for soprano and orchestraMetastasio,Demofoonte, I, 1325 April 17708373pAria for soprano and orchestraMetastasioDemofoonte, II, 617708873cAria for soprano and orchestraMetastasio,Artaserse, I,21770119382hAria for soprano and orchestra (piano reduction)This is possibly (Kunze) the aria for Gretl Marchand from K. deestunknown1782146317b"Kommet her, ihr frechen Sünder"Aria for soprano and stringsunknownbetween March and April 1779152210aAria for voice and piano, transcription of an aria that originally appeared in Josef Mysliveček's Armida (1780) as sung by Luigi Marchesi. The text "Ridente la calma" comes from the text of another aria sung by Marchesi, in this case in Francesco Bianchi's Il trionfo della pace (1782). Mozart used the music from Mysliveček's opera and the text from Bianchi's opera probably when Marchesi and Mozart were both present in Vienna in 1785.Lucio Tufano, "Who Wrote 'Ridente la calma'? Mysliveček, Bianchi, Mozart, and Luigi Marchesi's Favourite Arias", in Mozart Studien 29, Vienna 2024, pp. 355–385Cesare Oliveri, Il trionfo della pace II, 12ca. 1785178417eAria for soprano and orchestra (piano reduction)unknownJune 1783217 Aria for soprano and orchestraCarlo GoldoniLe nozze di Dorina I,426 October 1775272 Recitative, aria, recitative and cavatina for soprano and orchestraAndromeda III,10August 1777294 Recitative and aria for soprano and orchestraMetastasioL'Olimpiade III,624 February 1778316300bRecitative and aria for soprano and orchestraRanieri de' CalzabigiAlceste I,28 January 1779 365a"Zittre, töricht Herz"Aria for soprano and orchestra (lost)Friedrich August Clemens WerthesNovember 1780368 Recitative and aria for soprano and orchestraMetastasioDemofoonte, I,4January 1781369 Recitative and aria for soprano and orchestraMetastasioEzio, III, 128 March 1781374 Recitative and aria for soprano and orchestraGiovanni de GamerraSismano nel Mogol III,7April 1781383 Aria for soprano and orchestraunknown10 April 1782416 Recitavo and aria (rondo) for soprano and orchestraGaetano SertorZemira II,58 January 1783418 Aria for soprano and orchestraunknown20 June 1783419 Aria for soprano and orchestraunknownJune 1783440383hAria for soprano and orchestra (sketch)MetastasioDemofoonte, I,2February 1782486a295aRecitative and aria for soprano and orchestraMetastasioDidone abbandonata, II, 428 February 1778505 Recitative and aria (rondo) for soprano, piano obbligato and orchestraGiambattista Varesco26 December 1786528 Recitative and aria for soprano and orchestraCerere placata II,53 November 1787538 Aria for soprano and orchestraMetastasioL'eroe cinese, I,24 March 1788 540c"In quali eccessi ... Mi tradì quell'alma ingrata"Replacement recitative and aria for the character Donna Elvira (soprano) and orchestra in Don GiovanniLorenzo Da Ponte1788569 "Ohne Zwang aus eignem Triebe"Aria for soprano and orchestra (lost)Michel-Jean Sedaine, Le roi et le fermier, tr. Johann Heinrich FaberDexter Edge, "Mozart's Reception in Vienna, 1787–91" pp. 66–117 in Wolfgang Amadè Mozart: Essays on His Life and Music, ed. Stanley Sadie, Oxford University Press, 1996. p. 86, note 65; January 1789577 Replacement aria for the character Susanna (soprano) and orchestra in The Marriage of FigaroLorenzo Da Ponte1789578 Aria for soprano and orchestraI due baroni di Rocca Azzurra I,4August 1789579 Replacement aria for the character Susanna (soprano) and orchestra in The Marriage of FigaroLorenzo Da Ponte1789580 Aria for soprano and orchestra (fragment) unknown17 September 1789582 Aria for soprano and orchestraLorenzo Da PonteIl burbero di buon cuore I,14October 1789583 Aria for soprano and orchestraLorenzo Da PonteIl burbero di buon cuore II,4October 1789

Contralto K1K6Composition, score and critical report (NMA)LibrettistDate255 Recitative and aria (rondo) for contralto and orchestraGiovanni de GamerraArsace II,8 September 1776

Tenor K1K6Composition, score and critical report (NMA)LibrettistDate2119cAria for tenor and orchestraMetastasioEzio, II,417653633iRecitative and aria for tenor and orchestraunknownDecember 176671 Aria for tenor and orchestra (fragment)MetastasioDemofoonte, I,11769 or 1770209 Aria for tenor and orchestraunknown19 May 1775210 Aria for tenor and orchestraunknownMay 1775256 Aria for tenor and orchestraunknownSeptember 1776295 Aria for tenor and orchestraAntonio SalviArtaserse, I,1428 February 1778420 Aria (rondo) for tenor and orchestraunknown21 June 1783431425bRecitative and aria for tenor and orchestraCaterino MazzolàJohn A. Rice, "Problems of Genre and Gender in Mozart's Scena 'Misero! o sogno, o son desto', K. 431", academia.edu December 1783435416bAria for tenor and orchestra (sketch)unknown1783490 "Non più, tutto ascoltai... Non temer, amato bene"Replacement recitative and aria for the character Idamante (tenor) and orchestra in IdomeneoGiambattista Varesco1786 540a"Dalla sua pace"Replacement aria for the character Don Ottavio (tenor) and orchestra in Don GiovanniLorenzo Da Ponte1788

Bass K1K6Composition, score and critical report (NMA)LibrettistDate 209aAria for bass and orchestra (fragment)unknown1775432421aRecitative and aria for bass and orchestraMetastasioTemistocle, III,81783433416cAria for bass and orchestra (sketch)unknown1783512 Recitative and aria for bass and orchestraMetastasioL'Olimpiade III,618 or 19 March 1787513 Aria for bass and orchestraDuca Sant'Angioli-MorbilliLa disfatta di Dario II,923 March 1787539 Aria for bass and orchestraJohann Wilhelm Ludwig Gleim5 March 1788541 Arietta for bass and orchestraLorenzo Da PonteLe gelosie fortunate II,4June 1788584 "Rivolgete a lui lo sguardo"Aria for bass and orchestra, intended for Così fan tutte, but discarded at the first performanceLorenzo Da PonteDecember 1789612 Aria for bass, contrabass obbligato, and orchestraunknown8 March 1791Anh. 245621aAria for bass and orchestraunknown1788

Group K1K6Composition, score and critical report (NMA)LibrettistDateAnh. 24a43aDuet for two sopranos (fragment)unknown15 October 1767346439aNotturno (terzet) for two sopranos, bass and three basset hornsAngelo Lungi, La Pupilla(some sources attribute libretto to Metastasio)possibly 1783389384A"Welch ängstliches Beben"Duet for two tenors and orchestra, intended for Die Entführung aus dem Serail, but discarded at the first performance (fragment)Christoph Friedrich Bretznerbetween April and May 1782434480bAria for tenor, two basses and orchestra (fragment)Giuseppe PetroselliniIl regno delle amazzoni I,1end of 1785436 Notturno (terzet) for two sopranos and bass and three basset hornsMetastasioLa partenzapossibly 1783437 Notturno (terzet) for two sopranos, bass, two clarinets and basset hornMetastasioSiroe, II, 1possibly 1783438 Notturno (terzet) for two sopranos, bass, two clarinets and basset horn (fragment)MetastasioStrofe per musicapossibly 1783439 Notturno (terzet) for two sopranos, bass and three basset hornsGiuseppe Petrosellini, L'incognita perseguitatapossibly 1783441 Terzet for soprano, tenor, bass and stringsWolfgang Amadeus Mozartpossibly 1783479 Aria for soprano, tenor, two basses and orchestraunknown5 November 1785480 Aria for soprano, tenor, bass and orchestraunknown21 November 1785483 Song with voice, 3-part male choir and organAugustin Veith Edler von SchittlersbergDecember 1785484 Song with voice, 3-part male choir and organAugustin Veith Edler von SchittlersbergDecember 1785489 "Spiegarti non poss'io"Duet for soprano and tenorReplacement duet for the characters Ilia (soprano), Idamante (tenor) and orchestra in IdomeneoGiambattista Varesco1786532 Terzet for soprano, tenor, bass and orchestra (fragment)MetastasioLa Libertà a Nicepossibly 1787 540b"Per queste tue manine"Duet for soprano and bassReplacement duet for the characters Zerlina (soprano), Leporello (bass) and orchestra in Don GiovanniLorenzo Da Ponte1788549 Notturno (terzet) for two sopranos, bass and three basset hornsMetastasioL'Olimpiade, I, 716 July 1788Anh. 5571aQuartet for soprano, two tenors, bass and piano (fragment)Wolfgang Amadeus Mozartbeginning of 1789615 "Viviamo felici in dolce contento"Choir of amateurs and strings (fragment)Tommaso Grandi1791625592a"Nun, liebes Weibchen"Duet for soprano, bass and orchestraEmanuel SchikanederAugust 1790

Songs K1K6Composition, score and critical report (NMA)LibrettistDate5347eFreude, Königin der WeisenPossibly (Einstein) the aria for the daughter of Joseph Wolf from K. deestJohann Peter Uz (1720–1796)November 1768147125gunknown1772148125hO heiliges Band der Freundschaft treuer BrüderLudwig Friedrich Lenz (1717–1780)1772307284dAntoine Houdart Ferrand (1678–1719) 30 October 1777308295bAntoine Houdar de la Motte (1672–1731) between 30 October 1777 and 13/14 March 1778343336cO Gotteslamm, Als aus Ägypten IsraelunknownSpring 1787349367aWas frag' ich viel nach Geld und GutJohann Martin Miller (1750–1814)between 8 November 1780 and mid-March 1781351367bunknownbetween 8 November 1780 and mid-March 1781390340cJohann Timotheus Hermes (1738–1821)between August 1781 and May 1782391340bJohann Timotheus Hermes (1738–1821)between August 1781 and May 1782392340aJohann Timotheus Hermes (1738–1821)between August 1781 and May 1782Anh. 25386dO Calpe! Dir donnert's am Fusse (sketch)Michael Denis (1729–1800)end of December 1782468 Die ihr einem neuen GradJoseph Franz von Ratschky (1757–1810)26 March 1785472 Ihr Mädchen, flieht Damöten [Damoetas] ja!Christian Felix Weiße (1726–1804)7 May 1785473 Wie sanft, wie ruhigChristian Felix Weiße (1726–1804)7 May 1785474 Der reiche TorChristian Felix Weiße (1726–1804)7 May 1785476 Ein Veilchen auf der Wiese standJohann Wolfgang von Goethe8 June 1785506 Wer unter eines Mädchens HandAloys Blumauer (1755–1798) end of 1785Anh. 26475afragmentJohann Martin Miller (1750–1814)possibly 1785517 Zu meiner Zeit, zu meiner ZeitFriedrich von Hagedorn (1708–1754)18 May 1787518 Sobald Damötas Chloen siehtChristian Felix Weiße (1726–1804)20 May 1787519 Die Engel Gottes weinenKlamer Eberhard Karl Schmidt (1746–1824)23 May 1787520 Erzeugt von heißer PhantasieGabriele von Baumberg (1766–1839)26 May 1787523 Abend ist's, die Sonne ist verschwundenunknown24 June 1787524 Wenn die Lieb' aus deinen blauen, hellen, offnen Augen siehtJohann Georg Jacobi (1740–1814)24 June 1787529 Es war einmal, ihr LeuteJohann Eberhard Friedrich Schall (1742–1790),last verse by Joachim Heinrich Campe (1746–1818)6 November 1787530 Wo bist du, BildLudwig Christoph Heinrich Hölty (1748–1776)6 November 1787531 Was spinnst du?unknown11 December 1787552 Dem hohen Kaiserworte treuunknown11 August 1788596 Komm, lieber Mai, und mache Christian Adolph Overbeck (1755–1821)14 January 1791597 Erwacht zum neuen Leben Christoph Christian Sturm (1740–1786)14 January 1791598 Wir Kinder, wir schmecken der Freuden recht viel! Christian Adolph Overbeck (1755–1821)14 January 1791

Canons