Tallulah Brockman Bankhead (January 31, 1902 – December 12, 1968) was an American actress. Primarily an actress of the stage, Bankhead also appeared in several films including an award-winning performance in Alfred Hitchcock's Lifeboat (1944). She also had a brief but successful career on radio and made appearances on television. In all, Bankhead amassed nearly 300 film, stage, television and radio roles during her career. She was posthumously inducted into the American Theater Hall of Fame in 1972 and the Alabama Women's Hall of Fame in 1981.
Bankhead was a member of the Bankhead and Brockman family, prominent politically in Alabama. Her grandfather and her uncle were U.S. senators, and her father was Speaker of the House of Representatives. Bankhead supported liberal causes, including the budding civil rights movement. She also supported foster children and helped families escape the Spanish Civil War and World War II.
Bankhead was an alcohol and drug user; she reportedly smoked 120 cigarettes a day and talked candidly about her vices. She also had a series of sexual relationships with both men and women.
Early life
Tallulah Brockman Bankhead was born on January 31, 1902, in Huntsville, Alabama, to William Brockman Bankhead and Adelaide Eugenia "Ada" Bankhead (née Sledge); her great-great-grandfather, James Bankhead (1738–1799) was born in Ulster, Ireland, and settled in South Carolina. Bankhead was named after her paternal grandmother, who in turn was named after Tallulah Falls, Georgia. Her father hailed from the Bankhead and Brockman political families, active in the Democratic Party of the South in general and of Alabama in particular. Her father was the Speaker of the United States House of Representatives from 1936 to his death in 1940. She was the niece of Senator John H. Bankhead II and granddaughter of Senator John H. Bankhead. Her mother, Adelaide "Ada" Eugenia Sledge, was a native of Como, Mississippi, and was engaged to another man when she met William Bankhead on a trip to Huntsville to buy her wedding dress. The two fell in love at first sight and were married on January 31, 1900, in Memphis, Tennessee. Their first child, Evelyn Eugenia (January 24, 1901 – May 11, 1979), was born two months prematurely and had some vision difficulties.
The following year, Bankhead was born on her parents' second wedding anniversary, in a second-floor apartment in what is now known as the Isaac Schiffman Building, where her father also had his office. A marker was erected to commemorate the site, and in 1980 the building was placed on the National Register of Historic Places. Three weeks after Bankhead's birth, her mother died of blood poisoning (sepsis) on February 23, 1902. On her deathbed, Ada told her sister-in-law to "take care of Eugenia, Tallulah will always be able to take care of herself". Bankhead was baptized next to her mother's coffin.
William B. Bankhead, devastated by his wife's death, descended into bouts of depression and alcoholism. Consequently, Tallulah and her sister Eugenia were mostly reared by their paternal grandmother, Tallulah James Brockman Bankhead, at the family estate called Sunset in Jasper, Alabama. As a child, Bankhead was described as "extremely homely" and overweight, while her sister was slim and prettier. As a result, she did everything in her efforts to gain attention, and constantly sought her father's approval. After watching a performance at a circus, she taught herself how to cartwheel, and frequently cartwheeled about the house, sang, and recited literature that she had memorized. She was prone to throwing tantrums, rolling around the floor, and holding her breath until she was blue in the face. Her grandmother often threw a bucket of water on her to halt these outbursts.
Bankhead's husky voice (which she described as "mezzo-basso") was the result of chronic bronchitis due to childhood illness. She was described as a performer and an exhibitionist from the beginning, discovering at an early age that theatrics gained her the attention she desired. Finding she had a gift for mimicry, she entertained her classmates by imitating the schoolteachers. Bankhead said that her "first performance" was witnessed by the Wright brothers, Orville and Wilbur. Her Aunt Marie gave the brothers a party at her home near Montgomery, Alabama, in which the guests were asked to entertain. "I won the prize for the top performance, with an imitation of my kindergarten teacher", Bankhead wrote. "The judges? Orville and Wilbur Wright." Bankhead also found she had a prodigious memory for literature, memorizing poems and plays and reciting them dramatically.
Their grandmother and aunt were beginning to find the girls difficult to handle. Their father William, who was working from their Huntsville home as a lawyer, proposed enrolling them in a convent school (although he was a Methodist and her mother an Episcopalian). In 1912, both girls were enrolled in the Convent of the Sacred Heart in Manhattanville, New York. Their father remarried in 1915; as his political career brought him to Washington, they were enrolled in a series of different schools, each a step closer to Washington. When Bankhead was 15, her aunt encouraged her to take more pride in her appearance, suggesting that she go on a diet to improve her confidence. Bankhead quickly matured into a southern belle.
Bankhead was childhood friends with American socialite, later novelist, Zelda Sayre Fitzgerald, who married the novelist F. Scott Fitzgerald.
Career Beginnings in New York (1917–1922)
At 15, Bankhead submitted her photo to Picture Play, which was conducting a contest and awarding a trip to New York plus a movie part to 12 winners based on their photographs. However, she forgot to send in her name or address with the picture. Bankhead learned that she was one of the winners while browsing the magazine at her local drugstore. Her photo in the magazine was captioned "Who is She?", urging the mystery girl to contact the paper at once. Congressman William Bankhead sent in a letter to the magazine with her duplicate photo.
Arriving in New York, Bankhead discovered that her contest win was fleeting: she was paid $75 for three weeks' work on Who Loved Him Best and had only a minor part, but she quickly found her niche in New York City. She soon moved into the Algonquin Hotel, a hotspot for the artistic and literary elite of the era, where she quickly charmed her way into the famed Algonquin Round Table of the hotel bar. She was dubbed one of the "Four Riders of the Algonquin", consisting of Bankhead, Estelle Winwood, Eva Le Gallienne, and Blyth Daly. Three of the four were non-heterosexual: Bankhead and Daly were bisexuals, and Le Gallienne was a lesbian. At the Algonquin, Bankhead befriended actress Estelle Winwood. She also met Ethel Barrymore, who attempted to persuade her to change her name to Barbara. Bankhead declined, and Vanity Fair later wrote "she's the only actress on both sides of the Atlantic to be recognized by her first name only."
Bankhead's father had warned her to avoid alcohol and men when she got to New York; Bankhead later quipped "He didn't say anything about women and cocaine." The Algonquin's wild parties introduced Bankhead to marijuana and cocaine, of which she later remarked "Cocaine isn't habit-forming and I know because I've been taking it for years." Bankhead did abstain from drinking, keeping half of her promise to her father.
In 1919, after roles in three other silent films, When Men Betray (1918), Thirty a Week (1918), and The Trap (1919), Bankhead made her stage debut in The Squab Farm at the Bijou Theatre in New York. She soon realized her place was on stage rather than screen, and had roles in 39 East (1919), Footloose (1919), Nice People (1921), Everyday (1921), Danger (1922), Her Temporary Husband (1922), and The Exciters (1922). Though her acting was praised, the plays were commercially and critically unsuccessful. Bankhead had been in New York for five years, but had yet to score a significant hit. Restless, Bankhead moved to London.
Fame in the United Kingdom (1922–1931) In 1923, she made her debut on the London stage at Wyndham's Theatre. She appeared in over a dozen plays in London over the next eight years, most famously in The Dancers and at the Lyric as Jerry Lamar in Avery Hopwood's The Gold Diggers. Her fame as an actress was ensured in 1924 when she played Amy in Sidney Howard's They Knew What They Wanted. The show won the 1925 Pulitzer Prize.
While in London, Bankhead bought herself a Bentley, which she loved to drive. She was not very competent with directions and constantly found herself lost in the London streets. She would telephone a taxi-cab and pay the driver to drive to her destination while she followed behind in her car. During her eight years on the London stage and touring across UK theatres, Bankhead earned a reputation for making the most out of inferior material. For example, in her autobiography, Bankhead described the opening night of a play called Conchita:
In the second act. ... I came on carrying a monkey. ... On opening night, the monkey went berserk. ... (he) snatched my black wig from my head, leaped from my arms and scampered down to the footlights. There he paused, peered out at the audience, then waved my wig over his head. ... The audience had been giggling at the absurd plot even before this simian had at me. Now it became hysterical. What did Tallulah do in this crisis? I turned a cartwheel! The audience roared. ... After the monkey business I was afraid they might boo me. Instead I received an ovation.
Career in Hollywood (1931–1933)
Bankhead returned to the United States in 1931, but Hollywood success eluded her in her first four films of the 1930s. She rented a home at 1712 Stanley Street in Hollywood (now 1712 North Stanley Avenue) and began hosting parties that were said to "have no boundaries". Bankhead's first film was Tarnished Lady (1931), directed by George Cukor, and the pair became fast friends. Bankhead behaved herself on the set and filming went smoothly, but she found film-making to be very boring and did not have the patience for it. After over eight years of living in Great Britain and touring on their theatrical stages, she did not like living in Hollywood; when she met producer Irving Thalberg, she asked him "How do you get laid in this dreadful place?" Thalberg retorted "I'm sure you'll have no problem. Ask anyone." Although Bankhead was not very interested in making films, the opportunity to make $50,000 per film was too good to pass up. Her 1932 movie Devil and the Deep is notable for the presence of three major co-stars, with Bankhead receiving top billing over Gary Cooper, Charles Laughton, and Cary Grant; it is the only film with Cooper and Grant in the cast, although they share no scenes together. She later said "Dahling, the main reason I accepted [the part] was to fuck that divine Gary Cooper!" Later in 1932, Bankhead starred opposite Robert Montgomery in Faithless.
Return to Broadway (1933–1938)
Returning to Broadway, Bankhead worked steadily in a series of middling plays which were, ironically, later turned into highly successful Hollywood films starring other actresses. 1933's Forsaking All Others by Edward Barry Roberts and Frank Morgan Cavett—a romantic comedy-drama in which three friends sustain a love triangle lasting several years—was a modest success for Bankhead, running 110 performances, but the 1934 film version with Joan Crawford was one of that year's bigger financial and critical successes. Similarly, Bankhead's next two short-lived plays, Jezebel by Owen Davis and Dark Victory by George Brewer Jr. and Bertram Bloch, were both transformed into high-profile, prestigious film vehicles for Bette Davis.