Henrik Arnold Thaulow Wergeland (17 June 1808 – 12 July 1845) was a Norwegian writer, most celebrated for his poetry but also a prolific playwright, polemicist, historian, and linguist. He is often described as a leading pioneer in the development of a distinctly Norwegian literary heritage and of modern Norwegian culture.Family of Joseph Frantz Oscar Wergeland
Though Wergeland only lived to be 37, his range of pursuits covered literature, theology, history, contemporary politics, social issues, and science. His views were controversial in his time, and his literary style was variously denounced as subversive.Henrik Wergeland – utdypning (Store norske leksikon)
Early life He was the oldest son of Nicolai Wergeland (1780–1848), who had been a member of the constituent assembly at Eidsvoll in 1814. The father was himself pastor of Eidsvold and the poet was thus brought up in the very holy of holies of Norwegian patriotism. Wergeland's younger sister was Camilla Collett and younger brother major general Joseph Frantz Oscar Wergeland.
Henrik Wergeland entered The Royal Frederick University in 1825 to study for the church and graduated in 1829. That year, he became a symbol of the fight for celebration of the constitution at 17 May, which was later to become the Norwegian National Day. He became a public hero after the infamous "battle of the Square" in Christiania, which came to pass because any celebration of the national day was forbidden by royal decree.Wergeland hailed on 200th birthday , Aftenposten, 17 June 2008 Wergeland was, of course, present and became renowned for standing up against the local governors. Later, he became the first to give a public address on behalf of the day and thus he was given credit as the one who "initiated the day". His grave and statues are decorated by students and school children every year. Notably, the Jewish community of Oslo pays their respects at his grave on 17 May, in appreciation of his successful efforts to allow Jews into Norway.
Early poetry In 1829 he published a volume of lyrical and patriotic poems, Digte, første Ring (poems, first circle), which attracted the liveliest attention to his name. In this book we find his ideal love, the heavenly Stella, which can be described as a Wergeland equivalent to Beatrice in Dante's poem Divina Commedia. Stella is in fact based on four girls, whom Wergeland fell in love with (two of whom he wooed), and never got really close to. The character of Stella also inspired him to endeavour on the great epic Skabelsen, Mennesket og Messias (Creation, Man and the Messiah). It was remodeled in 1845 as Mennesket (Man). In these works, Wergeland shows the history of Man and God's plan for humanity. The works are clearly platonic-romantic, and is also based on ideals from the enlightenment and the French Revolution. Thus, he criticizes abuse of power, and notably evil priests and their manipulation of people's minds. In the end, his credo goes like this:
Heaven shall no more be split after the quadrants of altars, the earth no more be sundered and plundered by tyrant's sceptres. Bloodstained crowns, executioner's steel torches of thralldom and pyres of sacrifice no more shall gleam over earth. Through the gloom of priests, through the thunder of kings, the dawn of freedom, bright day of truth shines over the sky, now the roof of a temple, and descends on earth, who now turns into an altar for brotherly love. The spirits of the earth now glow in freshened hearts. Freedom is the heart of the spirit, Truth the spirit's desire. earthly spirits all to the soil will fall to the eternal call: Each in own brow wears his heavenly throne. Each in own heart wears his altar and sacrificial vessel. Lords are all on earth, priests are all for God.
At the age of twenty-one he became a power in literature, and his enthusiastic preaching of the doctrines of the French July Revolution of 1830 made him a force in politics also. Meanwhile, he was tireless in his efforts to advance the national cause. He established popular libraries, and tried to alleviate the widespread poverty of the Norwegian peasantry. He preached the simple life, denounced foreign luxuries, and set an example by wearing Norwegian homespun clothes. He strove for enlightenment and greater understanding of the constitutional rights his people had been given. Thus, he became increasingly popular among common people.
In his historic essay Hvi skrider Menneskeheden saa langsomt frem? (Why does humanity progress so slowly), Wergeland expresses his conviction that God will guide humanity to progress and brighter days.Norsk biografisk leksikon. Henrik Wergeland
Personal and political struggle Critics, especially Johan Sebastian Welhaven, claimed his earliest efforts in literature were wild and formless. He was full of imagination, but without taste or knowledge. Therefore, from 1830 to 1835 Wergeland was subjected to severe attacks from Welhaven and others. Welhaven, being a classicist, could not tolerate Wergeland's explosive way of writing, and published an essay about Wergeland's style. As an answer to these attacks, Wergeland published several poetical farces under the pseudonym of "Siful Sifadda". Welhaven showed no understanding of Wergeland's poetical style, or even of his personality. On one hand, the quarrel was personal, on the other, cultural and political. What had started as a mock-quarrel in the Norwegian Students' Community soon blew out of proportion and became a long lasting newspaper dispute for nearly two years. Welhaven's criticism, and the slander produced by his friends, created a lasting prejudice against Wergeland and his early productions.
Recently, his early poetry has been reassessed and more favorably recognized. Wergeland's poetry can in fact be regarded as strangely modernistic yet containing elements of traditional Norwegian Eddic verse. In the pattern of the classical 6-11th century Norse poets, his intellectual forefathers, his writing is evocative and intentionally veiled - featuring elaborate kennings that require extensive context to be deciphered. From early on, he wrote poems in free style, without rhymes or metre. His use of metaphors are vivid, and complex, and many of his poems quite long. He challenges the reader to contemplate his poems over and over, but so do his contemporaries Byron and Shelley, or even Shakespeare. The free form and multiple interpretations especially offended Welhaven, who held an aesthetical view of poetry as appropriately concentrated on one topic at a time.
Wergeland, who until this point had written in Danish, supported the thought of a separate and independent language for Norway. Thus, he preceded Ivar Aasen by 15 years. Later, the Norwegian historian Halvdan Koht would say that "there is not one political cause in Norway which has not been seen and anticipated by Henrik Wergeland".
Personality Wergeland had a hot temper and fought willingly for social justice. At the time, poverty was normal in the rural areas, and serfdom was common. He was generally suspicious of lawyers because of their attitude towards farmers, especially poor ones, and often fought lawyers and jurists in the courts, who could legally take hold of small homesteads. Wergeland made great enemies for this, and in one case, the judicial problem lasted for years and nearly left him bankrupt. The quarrel had started at Gardermoen, at the time a drill field for a section of the Norwegian army. In his plays, his nemesis, the procurator Jens Obel Praëm, would be cast as the devil himself.
Wergeland was tall, reckoned by the average Norwegian height at the time. He stood a head taller than most of his contemporaries (about 1m and 80 cm). Often, he could be seen gazing upwards, especially when he rode his horse through town. The horse, Veslebrunen (little brown), is reckoned to be a small Norwegian breed (but not a pony). Thus, when Wergeland rode his horse, his feet dragged after him.
Entry in a playwrights' competition In the autumn of 1837, Wergeland took part in a playwright's competition for the theater in Christiania. He came second, just behind Andreas Munch. Wergeland had written a musical play, Campbellerne (The Campbells). This play was based on tunes and poems by Robert Burns, and the plot commented on both Company rule in India and serfdom in Scotland. At the same time, he expressed several critical sentiments towards prevailing social conditions in Norway, including poverty and avaricious lawyers. The play was an immediate crowd-pleaser, and was later considered by many to be his greatest theatrical success.
But the riots began on the second day of performance, 28 January 1838. To this performance, 26 distinguished high-ranking gentlemen from the university, court and administration mustered to take Wergeland once and for all. They bought themselves the best seats in the audience, and armed with small toy-trumpets and pipes, they began to interrupt the performance from the very beginning. The tumult rose, and the chief of the Christiania police could do nothing more than shout for order while jumping in his seat. Later, it has been said that the high-ranking gentlemen acted like schoolboys, and one of them, an attorney in the high court, broke into the lounge of Nicolai Wergeland, bellowing straight in his ear. The poet's father was astonished by this behaviour. The assailant is said to have been the later Norwegian prime minister Frederik Stang. One of the actors finally calmed the audience, and the play commenced. Later, after the play, the ladies in the first and second row acted on behalf of Wergeland, throwing rotten tomatoes at the offenders, and then fights erupted, inside and outside the theater building, and in the streets nearby. Allegedly, some of them tried to escape, and were dragged back for another round of beating. The offenders were shamed for weeks, and dared not show themselves for a while. The story of this battle, called "the battle of the Campbells" (Cambellerslaget), was witnessed and recorded by a member of the Norwegian Parliament.
One might conclude that the followers of Wergeland won the day, but the men in position might have taken some revenge by slandering Wergeland's reputation after his death.
In February, a performance was held "for the benefit of Mr Wergeland", and this gave him enough money to purchase a small abode outside town, in Grønlia under the hill of Ekeberg.
Marriage
From his house in Grønlia, Wergeland had to row across the fjord to a small inn at the Christiania quay. Here, he met Amalie Sofie Bekkevold, then 19 years of age, daughter of the proprietor. Wergeland quickly fell in love, and proposed the same autumn. They got married on 27 April 1839 in the church of Eidsvoll, with Wergeland's father as priest.
Although Amalie was working class, she was also charming, witty and intelligent, and soon won the hearts of her husband's family. Camilla Collett became her trusted friend throughout their lives. The marriage produced no children, but the couple adopted Olaf, an illegitimate son Wergeland had fathered in 1835, and Wergeland secured an education for the boy. Olaf Knudsen, as he was called, would later become the founder of the Norwegian School-gardening, and a prominent teacher.
Amalie became the inspiration for a new book of love poems; this book was filled with images of flowers, whereas his earlier love poems had been filled with images of stars. After Wergeland's death, she married the priest, Nils Andreas Biørn, who officiated at his funeral and was an old college friend of Wergeland.:no:Amalie Sofie Bekkevold She had eight children by him. But at her death many years later, her eulogy was as follows: The widow of Wergeland has died at last, and she has inspired poems like no-one else in Norwegian literature.
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