In Greek mythology, Prometheus (; )Smith, "Prometheus" . is a Titan who is responsible for creating and aiding humanity in its earliest days. He defied the Olympian gods by stealing fire from them and giving it to humanity.
In several versions of the myth, Prometheus is also credited with the creation of humanity from clay. He is known for his intelligence and for being a champion of mankindWilliam Hansen, Classical Mythology: A Guide to the Mythical World of the Greeks and Romans (Oxford University Press, 2005), pp. 32, 48–50, 69–73, 93, 96, 102–104, 140; as trickster figure, p. 310. and is also generally seen as the father of the human arts and sciences. He is sometimes presented as the father of Deucalion, the hero of the flood story.Dougherty, C. (2006). Prometheus. Abingdon: Routledge.West, S. (1994). Prometheus Orientalized. Museum Helveticum, 51(3), 129–149.Apollodorus, 1.7.1 .
The punishment of Prometheus for stealing fire from Olympus and giving it to humans is a subject of both ancient and modern culture. Zeus, king of the Olympian gods, condemned Prometheus to eternal torture for his transgression. Prometheus was bound to a rock, and an eagle—a symbol of Zeus—was sent to eat his liver. (In ancient Greece, the liver was thought to be the seat of human emotions.) His liver would then grow back overnight, only to be eaten again the next day in an ongoing cycle. According to several major versions of the myth, most notably that of Hesiod, Prometheus was eventually freed by the hero Heracles.Hesiod, Theogony 526–8 The struggle of Prometheus is located by some at either Mount Elbrus or Mount Kazbek, two volcanic promontories in the Caucasus Mountains beyond which, according to the ancient Greeks, lay the realm of the barbari.
In another myth, Prometheus establishes the form of animal sacrifice practiced in ancient Greek religion. Evidence of a cult to Prometheus himself is not widespread. He was a focus of religious activity mainly at Athens, where he was linked with Athena and Hephaestus, the Greek deities of creative skills and technology.Lewis Richard Farnell, The Cults of the Greek States (Oxford: Clarendon Press, 1896), vol. 1, pp. 36, 49, 75, 277, 285, 314, 346Carol Dougherty, Prometheus (Routledge, 2006), pp. 42ff The etymology of his name is uncertain, but it may mean "forethought".
In the Western classical tradition, Prometheus became a figure who represented human striving (particularly the quest for scientific knowledge) or “playing God” and the risk of overreaching or unintended consequences. In particular, he was regarded in the Romantic era as embodying the lone genius whose efforts to improve human existence could also result in tragedy: Mary Shelley, for instance, gave The Modern Prometheus as the alternate title to her novel Frankenstein (1818).
Etymology The etymology of the theonym prometheus is debated. The usual view is that it signifies "forethought", as that of his brother Epimetheus denotes "afterthought" (from meaning "before" and meaning "after", respectively). Hesychius of Alexandria gives Prometheus the variant name of Ithas, and adds "whom others call Ithax", and describes him as the Herald of the Titans.Quoted in . Kerényi remarks that these names are "not transparent", and may be different readings of the same name, while the name "Prometheus" is descriptive.
The suggestion that Prometheus was the human "inventor of the fire-sticks, from which fire is kindled" goes back to Diodorus Siculus in the first century BC. The reference is to the "fire-drill", a primitive method of making fire using a vertical and a horizontal piece of wood to produce fire by friction.Diodurus quoted in .
Myths and legends
Possible sources The oldest record of Prometheus is in Hesiod, but stories of theft of fire by a trickster figure are widespread around the world. Some other aspects of the story resemble the Sumerian myth of Enki (or Ea in later Babylonian mythology), who was also a bringer of civilization who protected humanity against the other gods, including during the great flood,Stephanie West. "Prometheus Orientalized" page 147 Museum Helveticum Vol. 51, No. 3 (1994), pp. 129–149 (21 pages) and who created man from clay. While the theory that Prometheus descended from the Vedic fire bringer Mātariśvan lost favour in the 20th century, it was suggested in the 19th century and is still supported by some.
Oldest legends
Hesiod's Theogony and Works and Days
Theogony
The first recorded account of the Prometheus myth appeared in the late 8th-century BC Greek epic poet Hesiod's Theogony. In that account, Prometheus was a son of the Titan Iapetus by Clymene or Asia, one of the Oceanids. He was brother to Menoetius, Atlas, and Epimetheus. Hesiod, in Theogony, introduces Prometheus as a lowly challenger to Zeus's omniscience and omnipotence.
In the trick at Mecone, a sacrificial meal marking the "settling of accounts" between mortals and immortals, Prometheus played a trick against Zeus. He placed two sacrificial offerings before the Olympian: a selection of beef hidden inside an ox's stomach (nourishment hidden inside a displeasing exterior), and the bull's bones wrapped completely in "glistening fat" (something inedible hidden inside a pleasing exterior). Zeus chose the latter, setting a precedent for future sacrifices. Henceforth, humans would keep that meat for themselves and burn the bones wrapped in fat as an offering to the gods. This angered Zeus, who hid fire from humans in retribution. In this version of the myth, the use of fire was already known to humans, but withdrawn by Zeus.M. L. West commentaries on Hesiod, W.J. Verdenius commentaries on Hesiod, and R. Lamberton's Hesiod, pp. 95–100.
Prometheus stole fire back from Zeus in a fennel stalk and restored it to humanity. This further enraged Zeus, who sent the first woman to live with humanity (Pandora, not explicitly mentioned). The woman, a "shy maiden", was fashioned by Hephaestus out of clay and Athena helped to adorn her properly. Hesiod writes, "From her is the race of women and female kind: of her is the deadly race and tribe of women who live amongst mortal men to their great trouble, no helpmeets in hateful poverty, but only in wealth". For his crimes, Prometheus was punished by Zeus, who bound him with chains and sent an eagle to eat Prometheus's immortal liver every day, which then grew back every night. Years later, the Greek hero Heracles, with Zeus's permission, killed the eagle and freed Prometheus from this torment.
Works and Days Hesiod revisits the story of Prometheus and the theft of fire in Works and Days. In it the poet expands upon Zeus's reaction to Prometheus's deception. Not only does Zeus withhold fire from humanity, but "the means of life" as well. Had Prometheus not provoked Zeus's wrath, "you would easily do work enough in a day to supply you for a full year even without working; soon would you put away your rudder over the smoke, and the fields worked by ox and sturdy mule would run to waste".
Hesiod also adds more information to the Theogonys story of the first woman, a maiden crafted from earth and water by Hephaestus now explicitly called Pandora ("all gifts"). Zeus in this case gets the help of Athena, Aphrodite, Hermes, the Graces and the Hours. After Prometheus steals the fire, Zeus sends Pandora in retaliation. Despite Prometheus's warning, Epimetheus accepts this "gift" from the gods. Pandora carried a jar with her from which were released mischief and sorrow, plague and diseases. Pandora shuts the lid of the jar too late to contain all the evil plights that escaped, but Hope is left trapped in the jar because Zeus forces Pandora to seal it up before Hope can escape.
Interpretation Classical philologist Angelo Casanova finds in Prometheus a reflection of an ancient, pre-Hesiodic trickster-figure, who served to account for the mixture of good and bad in human life, and whose fashioning of humanity from clay was an Eastern motif familiar in Enuma Elish. As an opponent of Zeus, the titan Prometheus can be seen as characteristic of the titans in general, and like other titans, was punished for his opposition.Casanova, Angelo (1979). La famiglia di Pandora: analisi filologica dei miti di Pandora e Prometeo nella tradizione esiodea. Florence.Angelo Casanova is a professor of Greek literature at the University of Florence. As an advocate for humanity he gains semi-divine status at Athens, where the episode in Theogony in which he is liberatedHesiod, Theogony, 526–533. is interpreted by Casanova as a post-Hesiodic interpolation.
According to the classicist Karl-Martin Dietz, in Hesiod's scriptures, Prometheus represents the "descent of mankind from the communion with the gods into the present troublesome life".
The Lost Titanomachy
The Titanomachy is a lost epic of the cosmological struggle between the Greek gods and their parents, the Titans, and, in addition to the works of Hesiod, is a probable source of the Prometheus myth.Reinhardt, Karl. Aischylos als Regisseur und Theologe, p. 30. Its reputed author was supposed to have lived in the 8th century BC, but M. L. West has argued that it can't be earlier than the late 7th century BC., pp. 110–111. Presumably included in the Titanomachy is the story of Prometheus, himself a Titan, who managed to avoid being in the direct confrontational cosmic battle between Zeus and the other Olympians against Cronus and the other Titans (although there is no direct evidence of Prometheus's inclusion in the epic). M. L. West notes that surviving references suggest that there may have been significant differences between the Titanomachy epic and the account of events in Hesiod; and that the Titanomachy may be the source of later variants of the Prometheus myth not found in Hesiod, notably the non-Hesiodic material found in the Prometheus Bound of Aeschylus., and 110–118 for general discussion of Titanomachy.
Athenian tradition The two major authors to have an influence on the development of the myths and legends surrounding the Titan Prometheus during the Socratic era of greater Athens were Aeschylus and Plato. The two men wrote in highly distinctive forms of expression which for Aeschylus centered on his mastery of the literary form of Greek tragedy, while for Plato this centered on the philosophical expression of his thought in the form of the various dialogues he wrote during his lifetime.
Aeschylus and the ancient literary tradition Prometheus Bound, perhaps the most famous treatment of the myth to be found among the Greek tragedies, is traditionally attributed to the 5th-century BC Greek tragedian Aeschylus. At the centre of the drama are the results of Prometheus's theft of fire and his current punishment by Zeus. The playwright's dependence on the Hesiodic source material is clear, though Prometheus Bound also includes a number of changes to the received tradition. It has been suggested by M.L. West that these changes may derive from the now lost epic Titanomachy.
Before his theft of fire, Prometheus played a decisive role in the Titanomachy, securing victory for Zeus and the other Olympians. Zeus's torture of Prometheus thus becomes a particularly harsh betrayal. The scope and character of Prometheus's transgressions against Zeus are also widened. In addition to giving humanity fire, Prometheus claims to have taught them the arts of civilisation, such as writing, mathematics, agriculture, medicine, and science. His greatest benefaction for humanity seems to have been saving them from complete destruction. In an apparent twist on the myth of the so-called Five Ages of Man found in Hesiod's Works and Days (wherein Cronus and, later, Zeus created and destroyed five successive races of humanity), Prometheus asserts that Zeus had wanted to obliterate the human race, but that he somehow stopped him.Aeschylus, Prometheus Bound 235.