The Led Zeppelin bootleg recordings are a collection of audio and video recordings of musical performances by the English rock band Led Zeppelin which were never officially released by the band, or under other legal authority. The recordings consist of both live concert performances and outtakes from studio sessions conducted by the band. Many hundreds of Led Zeppelin bootlegs exist, and are widely collected by fans.
Overview Led Zeppelin were, throughout the decade of the 1970s, one of the world's most frequently bootlegged performers, and to this day remain one of the most bootlegged artists in the history of rock music. In August 1999, the band topped the list of Britain's most bootlegged musicians with 384 bootleg titles, compiled by the Anti-Piracy Unit of British Phonographic Industry.Led Zeppelin gain dubious honour of being Britain's most bootlegged band. The Independent. Retrieved 25 March 2010. This phenomenon was due partly to the popularity of the band, which has ensured a large and enthusiastic market for unauthorised recordings, and partly to the large size of the audiences who attended their performances, which made the effective detection of covert recording equipment at these concerts virtually impossible.
Led Zeppelin's manager, Peter Grant, sometimes took extraordinary measures to combat the practice of live bootleg recordings at Led Zeppelin concerts. He is reported to have personally visited record stores in London that were selling Led Zeppelin bootlegs and demanded all copies be handed over. He also monitored the crowd at Led Zeppelin concerts so as to locate anything which resembled bootleg recording equipment. At one concert at Vancouver in 1971 he saw what he thought was recording equipment on the floor of the venue and personally ensured that the equipment be destroyed, only to find out later that the equipment was a noise pollution unit being operated by city officials to test the volume of the concert. Similarly, at the Bath Festival in 1970, he personally threw a bucket of water over unauthorised recording equipment.Welch, Chris (1994) Led Zeppelin, London: Orion Books. , pp. 24, 56.
These efforts were not enough to prevent the release of a flood of Led Zeppelin bootlegs from the 1970s onwards. As is explained by Led Zeppelin archivist Dave Lewis:
Earliest bootlegs
During the 1970s, bootleg labels such as Smilin' Ear, Kornyfone, Dragonfly, Trade Mark of Quality, Condor and Toasted released unofficial recordings of several Led Zeppelin shows on vinyl. The following table includes a sample of these recordings. Most of them derived from audience tapes, though a few (such as Destroyer) were sourced from soundboard recordings.
Title Recording details Notes Gonzaga '68 The Gymnasium, Gonzaga University, Spokane, Washington, December 30, 1968 Audience recording. Fillmore West, San Francisco, April 24, 1969 Erroneously credited as being on January 9, 1969. The original LP was released in a magnificent red, green and blue color. Killing Floor Boston Tea Party, Boston, January 26, 1969. Audience recording. Don't Mess With Texas Texas International Pop Festival, Dallas, August 31, 1969 Soundboard recording. We're Gonna Groove/Feel All Right Montreux Casino, Montreux, Switzerland, March 7, 1970 The Feel All Right version was released in 1984 by Audio Recording Corporation under the incorrect title of Live in Montreux 1971. Mudslide Pacific Coliseum, Vancouver, Canada on March 21, 1970 The first ever Led Zeppelin bootleg to be released. Soundboard recording formerly assumed to be an FM broadcast. Mudslide is a remake of the original first LP 'PB'. Ottawa Sunshine Tracks 1-3 are FM recordings from London on March 19, 1969. All other tracks were recorded live in Ottawa, Ontario on April 14, 1970. Soundboard/audience recording. Live on Blueberry Hill Los Angeles Forum, Los Angeles, September 4, 1970. Audience recording. One of the first Led Zeppelin bootleg LPs to be released. BBC Zep The Paris Theatre, London, April 1, 1971. Soundboard recording (mono). Another early release on LP (1972), later included on the official BBC Sessions album. Going to California Berkeley Community Theatre, Berkeley, September 14, 1971 Audience recording. Japan Tour '71 Budokan Hall, Tokyo, Japan, September 23, 1971 Audience recording, distributed by BUG Recording Corp. Bombay, India, April, 1972 Soundboard recording. Custard Pie Offenburg, West Germany, March 24, 1973 Audience recording. Tympani for the Butter Queen Tarrant County Convention Center, Fort Worth, Texas, May 19, 1973 Soundboard recording. Bonzo's Birthday Party Los Angeles Forum, California, May 31, 1973 Audience recording (incomplete soundboard available). "A favourite of mine because of the artwork by an artist named William Stout…" remarked photographer (and Jimmy Page's friend) Ross Halfin. "I like the picture of a pig coming out of a birthday cake. William Stout also did artwork for the Rolling Stones bootleg In Exotic Honoluludiscogs.com/Rolling-Stones-In-Exotic-Honolulu/master/338681 and The Who's Who's Zoo.discogs.com/The-Who-Whos-Zoo/master/592560" Persistence Kezar Stadium, San Francisco, June 2, 1973 Audience recording. V-1⁄2 Seattle Center Coliseum, Seattle, July 17, 1973 Audience recording. Duckwalks and Lasers Madison Square Garden, New York City, July 28, 1973, and Tarrant County Convention Center, Fort Worth, Texas, May 22, 1977 Soundboard recording (side 1 & 2 – July 28, 1973) and audience recording (side 3 & 4 – May 22, 1977). 214 Seattle Center Coliseum, March 21, 1975. Audience recording. 207.19 Seattle Center Coliseum, March 21, 1975. Audience recording. Earls Court Earls Court Arena, May 24, 1975. Soundboard recording. Destroyer Richfield Coliseum, Cleveland, Ohio, April 27, 1977 Soundboard recording. Listen to This Eddie Los Angeles Forum, Los Angeles, June 21, 1977 Audience recording (taped by Mike Millard). For Badgeholders Only Los Angeles Forum, Los Angeles, June 23, 1977 Audience recording. (The original vinyl bootleg was recorded by Jon Wizardo, although it is commonly mistaken as having been taped by Mike Millard, who made a separate recording of the show.) Keith Moon joined in on drum set for "Moby Dick" and the encores.
The 1980s: the release of the soundboards
In the late 1980s, the number of available soundboard recordings of Led Zeppelin shows increased significantly as a result of original soundboard tapes being stolen during a burglary at the home of Led Zeppelin guitarist Jimmy Page and later copied for underground release. Also stolen were copies of several rare studio out-takes, which were released under titles such as Jennings Farm Blues (featuring run-throughs of an electric version of "Bron-Y-Aur Stomp" recorded in October 1969) and Studio Daze (including different studio mixes of "Since I've Been Loving You", "No Quarter" and "All My Love"). "Midnight Moonlight", a song later recorded by "The Firm", is also available through studio bootlegs.
The 1990s: the CD era The 1990s saw a multitude of Led Zeppelin bootlegs become available on the CD format, with limited-edition and higher quality releases being produced in Japan on labels such as Tarantura and Antrabata. The most significant 90s label TDOLZ (The Diagrams of Led Zeppelin) has covered most of the circulating concerts for that period releasing over 100 titles. In 1999, the BBC reported that the number of Led Zeppelin bootleg titles in circulation exceeded those of The Beatles.
Some notable Led Zeppelin bootlegs released on CD include: Don't Mess with Texas : Recorded at the Texas international Pop Festival in Dallas on August 31, 1969. Burn Like A Candle : The complete show from the Los Angeles Forum on June 25, 1972. Pigeon Blood : Recorded at Tampa Stadium, Florida on May 5, 1973. Knebworth : Both of the band's performances at the Knebworth Festival in August 1979.
The 2000s and present: Empress Valley soundboard breakthrough Numerous previously uncirculated complete high quality soundboard recordings were released by newly established Empress Valley label (also referenced as Empress Valley Supreme Disc or EVSD) which is the semi-successor of retired Tarantura. While Empress Valley surfaced many of the recordings, some, including "Working Tapes" were merely repackages of tapes fans had already surfaced and traded via the Internet. Also, early releases such as the "Physical Rocket" DVD were made from sub-par videotapes and were later far surpassed by versions surfaced by fans:
YearTitleRecording details 2002 Earl's Court, London, UK on 25 May 1975; professionally shot live video from that concert was released subsequently on DVD, audio material was reissued two times as A Young Person's Guide to Led Zeppelin and When We Were Kings 2002 Flying Circus Madison Square Garden, New York City, US on 12 February 1975 2003 Florida Sunshine Orlando Sports Stadium, Orlando, US on 31 August 1971 2003 Bringing the House Down Capital Centre, Landover, US on 26 May 1977 2003 Chasing the Dragon Memorial Auditorium, Dallas, US on 4 March 1975; an incomplete soundboard recording of this concert had previously circulated. Also included in Statistical Analyzing Shot box set as A Conspiracy in Dallas 2004 Conspiracy Theory Sports Arena, San Diego, US on 14 March 1975. An unknown concert date before this bootleg's release. 2004 St. Louis Blues St. Louis Arena, St. Louis, US on 16 February 1975 2005 The Summit, Houston, US on 21 May 1977 2006 Snow Jobs Pacific Coliseum, Vancouver, Canada on 19 March 1975 2007 Days Confused Memorial Auditorium, Dallas, US on 5 March 1975; also included in Statistical Analyzing Shot box set as The Ultimate Punishment 2007 Working Tapes The Old Refectory, Southampton University, UK on 22 January 1973 2007 The Powhatan Confederacy Capital Centre, Landover, US on 28 May 1977 2008 St. Valentine's Day Massacre Nassau Coliseum, Uniondale, US on 14 February 1975 2009 Long Beach Californication Long Beach Arena, Long Beach, US on 11 March 1975 2009 Rampaging Cajun LSU Assembly Center, Baton Rouge, US on 28 February 1975 2010 Magical Sound Boogie Madison Square Garden, New York City, US on 7 June 1977 2011 Haven't We Met Somewhere Before? Seattle Center Coliseum, Seattle, US on 17 March 1975 2012 Snowblind Pacific Coliseum, Vancouver, Canada on 20 March 1975; package also includes the previous 19 March Vancouver show soundboard that was released in 2006 as Snow Jobs 2012 Double Shot Capital Centre, Landover, US on 25 May 1977 and 30 May 1977; two separate shows in one release; also Maryland Moonshine a box set containing all four Capital Centre shows (26 May 1977 and 28 May 1977 released previously) 2013 Nassau Coliseum, Uniondale, US on 13 February 1975. Jamming with a Woody is a 3 CD release of only the 13 February soundboard recording. Simultaneously released The King's of the Stone Age is a 9-CD box set containing the same 13 February soundboard, along with a duplicate of EVSD's 2008-released St. Valentine's Day Massacre soundboard from 14 February, and a duplicate of EVSD's 2002-released Fighting Back At the Coliseum audience tape recording of the 13 February concert; The King's of the Stone Age title also was issued as a 6 CD version with only the two soundboards from 13 and 14 February. 2014 Texas Hurricane Tarrant County Convention Center, Fort Worth, US on 22 May 1977 2015 Rock Super Stars Tarrant County Convention Center, Fort Worth, US on 3 March 1975; also included in Statistical Analyzing Shot box set as Sparking J.H.B. 2016 Ultra Violent Killer Droog Capital Centre, Landover, US on 10 February 1975 2017 Deus Ex Machina Seattle Center Coliseum, Seattle, US on 21 March 1975 2018 How The East Was Won Festival Hall, Osaka, Japan on 29 September 1971 2020 The Awesome Foursome Live at the Forum The Forum, Los Angeles, US on 24 March 1975 2021 Jesus Met Center, Bloomington, US on 18 January 1975